A Quote by Rosanne Cash

I wanted to be a songwriter.I didn't so much want to be a performer.I more grew into that just from being a songwriter. — © Rosanne Cash
I wanted to be a songwriter.I didn't so much want to be a performer.I more grew into that just from being a songwriter.
I always wanted to be an artist; being a songwriter for myself was always a must but being a songwriter for others has been a bonus.
I'm a songwriter, actually. And when I say I'm a songwriter, I'm saying I can write songs for more than just myself.
Being singer/songwriter implies versatility and being able to create more than one medium, and R&B artist is a box, simple as that. It is 'that's what you do, that's what you are', and that's a little unfair, to me, because I don't just do that. So I like singer/songwriter because it allows me to move a little bit more freely.
I didn't want to be the crippled songwriter or the crippled singer. I wanted to be the singer or the songwriter who was crippled. I wanted to be larger than life and a man among men.
I was mainly a songwriter; I really wasn't much of a performer.
One of the greatest tools you have as a songwriter is anonymity. If someone knows too much about the songwriter, they don't get to insert their own characters. I don't want the audience thinking about the gay guy who wrote the song.
When I started out in this business, I was a performer before I was a songwriter, I was a performer before I was recording. Performing is the roots. That's where it all came from. You didn't start out doing it because you wanted to make an album.
I'm more critical of my songwriting than anybody, but I've worked really hard in the last five to 10 years to improve. I didn't take it all that seriously when I started. It was a little bit of a stigma to being a songwriter or a folkie back then. I did a lot of send-ups of sensitive singer-songwriter stuff when I was starting out, which limited my development as a songwriter in a way. I wasn't really fully given license to explore that until the mid-90s. I'm still working on it; I'm a little bit of a late bloomer.
I wanted to be a rock star when I grew up, or at least a singer/songwriter.
For me, the most challenging thing was developing myself as a songwriter and as a performer and as the leader of a band. And I just did it.
I come from a musical family. My dad was in a group in the 70s, The Hudson Brothers. Now he's a songwriter and producer. So, I just kind of grew up with music and it was something I always knew I wanted to do.
I was like, 'Josh Tillman, you are not a songwriter. You are an ape. Stop thinking of yourself as a songwriter.'
I don't want to live in an ivory tower, being the songwriter who just turns inward.
I don't think people really understood what I did. And you know, in my book, 'A Helluva High Note' deals with my back story, that I was a songwriter, that I spent years trying to hone my craft and being rejected and then finally becoming a successful songwriter, record executive and publisher.
The exciting thing about a songwriter is that, you know, particularly if you're a songwriter and an artist and you play the parts and you're producing it and all that, you have various times you have to critique what you do.
I never thought of myself as a performer or songwriter or singer.
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