A Quote by Rose Byrne

I'm the youngest of four, and I'm always the clown - making the jokes, wanting attention. — © Rose Byrne
I'm the youngest of four, and I'm always the clown - making the jokes, wanting attention.
I grew up in Atlanta, Georgia, the youngest of five. There's something about being the youngest and wanting to be seen. You're like, 'I want attention, notice me.'
I'm the youngest of four kids. There's something in me that will always be the youngest child, will always look up to people when they don't necessarily need it.
I was a class clown. At 12, I was definitely clowning. I was making all the jokes. But I was smart, so the teachers didn't know what to do with me.
I was the youngest of the house that I grew up in, so I feel like, as the youngest, you have it pretty good. At the same time, I guess I required a lot of attention, being afraid of so many different things. So I was never seeking attention; I wanted the opposite.
I was the youngest of three kids, and from the age of four, singing was my way of getting attention.
My career actually started in the second grade as class clown. That's no joke. I was always making people laugh, and it was really to mask a learning disability... When it came time for me to read out loud, I would crack jokes or create a diversion.
Be a clown , be a clown, All the world loves a clown. Act the fool , play the calf, And you'll always have the last laugh .
I really wanted people to pay attention to me and like me. And the class clown thing, you know? There's a weird desperation to the class clown when you really investigate it. Why are they trying to be the clown so much? They're filling some kind of hole.
For writers and artists, it's always a balancing act between wanting to be the center of attention and wanting to be invisible and watch what's going on.
I'm the youngest of four in a large, exhibitionist family. The only way to get attention was to throw yourself off the top of a ladder - as one of my cousins used to do - or make people laugh.
I took a couple of classes in clowning, but that was more like Lucille Ball kind of slapstick, not Ringling Brothers. But we had to do things silently, and the teacher would do this running commentary. 'Does this make Clown sad? Oh, Clown doesn't like that, does Clown?' Always 'Clown.' Never a name.
I was the youngest of the house that I grew up in, so I feel like as the youngest you have it pretty good. At the same time, I guess I required a lot of attention, being afraid of so many different things. So I was never seeking attention; I wanted the opposite. I just knew that when I saw Michael Jackson on the television screen once, it was, like, "That's it! That's what I'm doing for the rest of my life." I never questioned that.
I am the youngest of four children - three boys and one girl. I don't think becoming an actor had anything to do with seeking attention, though. My relationship with my siblings when I was growing up was close and playful.
People are always saying that I must have been the class clown, with all these voices. No, I was way too shy to be the class clown; I was a class clown's writer.
What ignited the rocket that sent you up into the vast regions of comedy, and why? I would say, for me, that philosophical treatise about having black beginnings and wanting love to compensate for that, wanting audiences and wanting attention - I say, "Au contraire." Completely opposite. I want the continuation of my mother's incredible love and attention to me.
You can only stare at a clown mask so long. After a few minutes it's no big deal anymore. So people start paying attention to the music instead of what the clown is doing, or what he is wearing, or how cool his spikey hair is.
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