A Quote by Rose McIver
The great thing about being an actor in a film is that you're able to start knowing exactly where you're going to finish and really paint something in between. You can work to know the arc you need to build. Whereas in television, it is open-ended, and you're constantly guessing. There are pros and cons to both.
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I'm glad that, despite everything, I was able to get work done and finish something. I never finish anything. So just being able to finish record and to make music is a great gift.
You still slightly down that you're ever going to work again, every time you finish something. That's the territory of being an actor. It's like anything that's competitive. It takes a lot of determination. I just feel lucky to be able to do something that I really love.
There's obviously something that feels very good about being with a new filmmaker who's very excited, but I also think there's something very comforting in a director who's been around a few times. Both have their pros and cons.
The goal is that people will find something of themselves in it. But you don't need to know what a hexachord is! You don't need to know what serialism is. You don't need to know anything technical. It's more about the state of mind of being open and listening to what's really going on. And I think that the more open you can be, the better. So maybe it's not good to have expectations.
I grew up understanding the pros and cons of what you're getting into and knowing what comes with your job. I like to keep my private life private, and then work is work. I feel so far I've had a really good balance with that.
The one benefit of having done all kinds of movies as an actor is, you learn the pros and cons of being tempted to do a really big movie because it costs a lot of money.
The song can be a little bit more of the mystery and leave the whole thing open ended. But there's something really gratifying about saying exactly what you mean.
What I love about my work is the variety and not knowing what's coming next, and being able to embrace something for a period of time and know something new is going to follow.
My job as an actor is to try to do what the director wants me to do. I'm going to do everything I can to incorporate that note and make it work. If it doesn't work, I'll try this kind of thing, and "How do you feel about that?" If you are at odds with the director, neither one of you is going to get anywhere. You really do have to be able to make both of you happy. Even when I was younger, there were times when you have to find a way to make it work for both of you.
What's great in theater is that you can sustain the arc of a character for a full three hours, whereas in film or TV, you have to create that arc in little pieces, and usually out of sequence.
There's a million more pros than cons, for sure. Obviously, the privacy thing is a little different. It's not normal to wake up and have 12 paparazzi cars waiting outside to follow you to Starbucks in the morning. But, there's a lot more pros, and I'm willing to put up with those cons, for sure.
There's pros and cons of a big church. Cons is I don't get to know everybody, I don't get to go to their ballgame, I don't get to marry everybody, but the pros are you get all this community, 800 ushers come in to serve, getting there at 7 in the morning on their day off and coming in on Saturday to make all those wafers.
I prefer working, period. I think that I like doing film more just because when you get a script, you have the story from start to finish, so you can really find the character's arc, and when you walk away from it, you know you're sort of powerless to what happens.
I certainly don't feel there's a distinction to be made between a television and a film actor. I think there's a distinction between great actors and not so great actors. But I really think if you watch a person working in television give a wonderful performance, that person is f - ing great, because there is no time.
As a writer, you know what the purpose of the scene is. It really has nothing to do with the actor so you have to really get out of that space because for actors it's a micro-focus and then you figure out your arc through what the writers have given you to say. But that arc is just one little piece of the huge arc of the whole film. It took a while to get out of that.
I know the pros and cons of not being diplomatic.
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