A Quote by Roseanne Barr

I used to want to be a movie star so I wouldn't have to live in trailers anymore. And now that I make movies, I spend a lot of my life living in trailers. — © Roseanne Barr
I used to want to be a movie star so I wouldn't have to live in trailers anymore. And now that I make movies, I spend a lot of my life living in trailers.
I find making trailers really frustrating, because sometimes the worst trailers are for the best movies.
When you go into a movie and you're surprised by it - these days with brand recognition being such an important thing and essentially trailers, the way trailers have evolved encouraging people not to see the film unless they've already seen the film which is kind of the paradox of marketing these days anytime that you enjoy genuine sense of wonder and surprise in the movies it's priceless.
Don't spend more than 10% of your marketing/PR budget on a trailer. Trailers have to be marketed, too. So, far too many authors wind up marketing their trailers instead of their books.
My agency tells me I am rare because I sing, do movie trailers, and do cartoons too. I like that because it gives me variety in jobs. I don't just sit and do movie trailers, and I don't just do cartoons either. I can do both, and I feel very fortunate for that.
I don't want to make videos that come out looking like commercials or movie trailers.
Most movies, you have to try and forget you're making a movie, because there are trailers and booms and lights and marks, and it's everywhere.
Think about trailers you see in theaters. If you're seeing a Warner Bros film, the studio might have three of the five trailers. So having a hit helps you create the next hit.
I don't watch movie trailers. I just go to the movie, and I don't know anything about it, because that's the only way I appreciate the movie fully.
Now, even when I see the trailers, I get so excited because it's like I'm seeing a movie that I haven't seen at all before, whatsoever. And then I just happen to be in it.
I think that, in the beginning, you think, 'I want to be the biggest movie star in the world.' And then, with the more movies you make, you are like, 'I don't know if I want to be that anymore. I think what I am looking for is something different.' I like acting, but a lot of times, stardom comes with a lot of strings attached.
Back in the days, we had to work with a shoestring budget. We had a movie screen, and we'd show movie trailers on them, and then we'd rip through it and started playing. Now we have a little money to play with to do a cool stage set.
I've done movies where they didn't have enough money to have trailers.
I'm not a movie star like other actors in the way that I need to walk around with a bodyguard. My goal is just to get some interesting parts and make enough money to live free. Otherwise, to be a movie star, it's a lot of compromise and also a lot of headaches. You can't do what you want. You become a prisoner of your fame. This happened to me in France and I don't want it. I want to go to the terrace of a café, have a coffee. I have no problems with the fact that people recognize me, I'm very glad about it, but to be a movie star is kind of unreal for me.
The reason I make movies now has a lot to do with having seen Star Wars when I was seven years old. That's the formative movie-going experience of my life.
You were up at 5 o'clock in the morning, and then you'd ride in a caravan, because we didn't have big movie trucks or trailers that is the hardware of a movie camp.
I don't watch trailers, I like to go into every movie fresh.
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