A Quote by Rosemarie DeWitt
I realized, because I've been doing these very small, character-driven movies, that this is entertainment. This is so much fun.
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I pride myself on doing character-driven movies and, when my movies have worked, it's been because of the right casting and the right character, and it just clicks.
The kinds of films that I'm used to doing are independent films. They're very small character-driven pieces, and there isn't as much spectacle involved.
Everybody's been decrying the death of movie theaters for decades and, you know, people are still going to the movies in droves. It's gone down, but it hasn't gone down that much. I think the biggest change has been the emergence of cable and streaming on television. That has really had a dramatic effect, and I think it's a positive one. I think there's really good work going on there, and as movies stratify to being these gigantic tentpole movies, and small movies, I think it gives another outlet for character-driven material.
Well, honestly, the films I personally like to go see are smaller, more character-driven pieces, so that's why the movies I've made have been smaller, more character-driven movies.
The instant that movies became described as character driven was the instant when characters stopped mattering in movies. In other words, the birth of the notion of the character-driven movie coincided with the birth of movies in which characters were incidental to the very activities in which they engaged.
For big Hollywood movies, I'm on the more character-driven side of the equation. So, TV is a natural place for me to be because you've got no choice, but to be character-driven.
I think there's a fundamental distinction between character-driven movies that are just really lovely slice-of-life movies and character-driven movies that you remember 20 or 30 years later; the common denominator with the ones you remember is that they all have some really complicated emotional problem at their core.
I shall miss all the people in it and the great fun we had doing it. I enjoyed playing the character very much. It was a very, very special character and a very special series. And the camaraderie of it all. I loved it.
Those are my favorite kinds of movies, where the plots are quite small and character-driven.
I have been acting for almost 20 years now. At first it changed in my focus and how much I wanted to act. When I was younger, it was so much fun, and I really wanted it, but it was not competitive. Then I became a teenager and it became kind of competitive and not as much fun. I pulled back and I got lazy about it, where I was like, "Yeah, I guess, I'll do small parts in cool movies," but I wasn't really trying to say anything.
To me, it all comes down to things being character-driven. It's hard for me to look beyond that. CG and all this cool stuff - so be it. But to me, it pretty much begins and ends with character-driven plots rather than technologically-driven plots.
My favorite moment is when someone says, 'I like 'Unleashed.' 'Now You See Me' is so much fun.' That's what I want to do: smart, fun and big movies. I cannot lie, I love working with those big paint brushes. I have a blast doing these movies.
The primary goal is to entertain people because... Fortunately, the kind of movies I have been doing have a certain message, they break taboos, and they are socially relevant. So it's a great mix of content and entertainment.
It's always been my dream to just continually do really cool indie movies - character-driven stuff.
Doing voiceover, they bring you in, you're wearing jeans, you haven't shaved, you're wearing a baseball cap, and you go in, do it, make a lot of money and go home. It's fun. I enjoy doing it very much. So that's been really fun for me.
Marilyn Monroe, Jayne Mansfield and I were so different from each other. I was doing very young movies, and Marilyn, who was ahead of me, was doing a lot of homogenized movies that weren't quite as wild as the ones I was doing. Jayne was more of a character of herself.
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