A Quote by Rowan Atkinson

I have always believed that there should be no subject about which one cannot make jokes, religion included. Clearly, one is always constricted by contemporary mores and trends because, after all, what one seeks above all is an appreciative audience.
I make comedies and I always try... I don't try but I allow to have at least 5% of the jokes or have some jokes that I know will be understood by only about 5% of the audience. It's that guy in the corner who gets it and laughs. But he has to have his jokes too. That's part of my audience. Part of my audience is the people who will only get certain things.
On the Internet, Spencer Hall at Everyday Should Be Saturday is the best writer in the universe. He's very funny. They're jokes about college football, but they come from somebody who's clearly smarter than the rest of us; it's always fun to get your jokes from someone who's a genius.
Above thought is the intellect, which still seeks: it goes about looking, spies out here and there, picks up and drops. But above the intellect that seeks is another intellect which does not seek but stays in its pure, simple being, which is embraced in that light.
People are always going to say stupid things, and you're always going to be able to make jokes about that, but it should be the last thing you add in, because it's the easiest thing.
I think there are brilliant jokes to be made about abortion, and we should be able to talk about this in the way that we make jokes about death - you should be able to make jokes about everything.
Religion itself cannot but be dynamic which is why "return" is an incorrect term. A return to the forms of religion which perhaps existed a couple of centuries ago is absolutely impossible. On the contrary, in order to combat modern materialistic mores, as religion must, to fight nihilism and egotism, religion must also develop, must be flexible in its forms, and it must have a correlation with the cultural forms of the epoch.
Freedom sees in religion the companion of its struggles and its triumphs, the cradle of its infancy, the divine source of its rights. It considers religion as the safeguard of mores; and mores as the guarantee of laws and the pledge of its duration.
We can no longer contemplate the subject - self - of contemporary art; it has been woven into infinite relationships, replaced by social movements, national image, and financial capital. The disappearance of the construction of the self of contemporary art makes it impossible to exist in the form of a subject. The subject of contemporary art that I speak of is a kind of naming event predicated upon the multiplicity of the environment. It includes politics, should have its own way of thinking, and can be perceived.
As a designer, you've always got to push yourself forward; you've always got to keep up with the trends or make your own trends. That's what I do.
The jokes I was always attracted to, and that I would tell for the longest, were jokes where I cared about the subject. Whenever I wrote a joke where I didn't care, even if it was really funny, the third time I told it, it would lose steam.
Of the eternal incorporeal substance nothing is changed, is formed or deformed, but there always remains only that thing which cannot be a subject of dissolution, since it is not possible that it be a subject of composition, and therefore, either of itself or by accident, it cannot be said to die.
When you see me on the pitch, I will always be smiling, always laughing, always playing jokes. I grew up as somebody who was always laughing. In England, people will tell me that I should not laugh, but you cannot stop me from laughing. It's impossible.
Design is interesting because it's utopian. Art is often a jaundiced commentary on contemporary life. Design is always about the future; it's always about something great and new that's come out that will make the future brighter. It has this weird 18th - century positivism about it.
I've always felt, as a person, that I wanted to make people feel included and loved because I think at some point in all of our lives, we've felt not included and unworthy, especially in terms of appearances.
We are a nation that has always gone in for the loud laugh, the wow, the yak, the belly laugh, and the dozen other labels for the roll- em-in-the-aisles gagerissimo. This is the kind of laugh that delights actors, directors, and producers, but dismays writers of comedy because it is the laugh that often dies in the lobby. The appreciative smile, the chuckle, the soundless mirth, so important to the success of comedy, cannot be understood unless one sits among the audience and feels the warmth created by the quality of laughter that the audience takes home with it.
Writing is thinking on paper. Anyone who thinks clearly should be able to write clearly-about any subject at all.
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