A Quote by Rudolf Arnheim
When the thing observed... is seen as an agglomeration of pieces, the details lose their meaning and the whole becomes unrecognizable. This is often true of snapshots in which no pattern of salient shapes organizes the mass of vague and complex nuances.
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Experience is valuable only if it's imbued with meaning from which one can draw salient conclusions. Otherwise, experience becomes imprisoning.
It's unfortunately true that if you mess up a single detail of the art world the whole thing seems false, and most writers are not in a position to get the details right, because they don't hang around with artists. It's not something you can get the vague gist of. It's too specific.
Complexity has and will maintain a strong fascination for many people. It is true that we live in a complex world and strive to solve inherently complex problems, which often do require complex mechanisms. However, this should not diminish our desire for elegant solutions, which convince by their clarity and effectiveness. Simple, elegant solutions are more effective, but they are harder to find than complex ones, and they require more time, which we too often believe to be unaffordable
Because one does not want to be disturbed, to be made uncertain, he establishes a pattern of conduct, of thought, a pattern of relationships to man. He then becomes a slave to the pattern and takes the pattern to be the real thing.
Swiftly the head mass becomes an enchanted loom where millions of flashing shuttles weave a dissolving pattern, always a meaningful pattern though never an abiding one...
The process of philosophizing, to my mind, consists mainly in passing from those obvious, vague, ambiguous things, that we feel quite sure of, to something precise, clear, definite, which by reflection and analysis we find is involved in the vague thing that we start from, and is, so to speak, the real truth of which that vague thing is a sort of shadow.
There are little details in everything you do, and if you get away from any one of the little details, you're not teaching the thing as a whole. For it is little things which, together, make the whole. This, I think, is extremely important.
Businesses and other human endeavors are also systems. They, too, are bound by invisible fabrics of interrelated actions, which often take years to fully play out their effects on each other. Since we are part of that lacework ourselves, it's doubly hard to see the whole pattern of change. Instead we tend to focus on snapshots of isolated parts of the system, and wonder why our deepest problems never seem to get resolved.
So often, over the course of our day-to-days, we forget the details of what shapes us most in life. Sure, we'll pay through the nose to have our weddings videotaped, but can we say the same thing about the first time we discovered masturbation, or the moment we realized that the true nature of the opposite sex is to lie and humiliate (and I'm not just talking about women here)? Usually not.
The human mind delights in finding pattern—so much so that we often mistake coincidence or forced analogy for profound meaning. No other habit of thought lies so deeply within the soul of a small creature trying to make sense of a complex world not constructed for it.
You'll lose your reader if you are vague, not clear, and not present. We love details, personal connections, stories.
Human life is a continuous thread which each of us spins to his own pattern, rich and complex in meaning. There are no natural knots in it. Yet knots form, nearly always in adolescence.
Inside him, twenty years dissolved and mixed into one complex, swirling whole. Everything that had accumulated over the years-- all he had seen, all the words he has spoken, all the values he had held-- all of it coalesced into one solid, thick pillar in his heart, the core of which was spinning like a potter's wheel. Wordlessly, Tengo observed the scene, as if watching the destruction and rebirth of a planet.
The designs are more about the whole thing rather than the details, and if I were to do the big shapes I do, color would maybe be too much. Pink or red would push it all over the edge.
You probably think of the orchestra as a heterogeneous mass of instruments
producing a confused agreeable mass
of sound. You do not listen for details because you have never trained your ears to listen to details.
Although skin color is undoubtedly the most salient signal of racial identity in America, other actual or imagined bodily features have also been seen as distinctive markers of Negritude. These include the shapes of heads, feet, lips, and noses as well as the texture of hair.
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