A Quote by Rudy Rucker

Selling a book or story has never become absolutely automatic for me. — © Rudy Rucker
Selling a book or story has never become absolutely automatic for me.
I never really wanted to be a writer. I know it sounds strange, but I honestly believe that I didn't pick the story; the story has picked me. I've written absolutely no fiction before 'The Immortals of Meluha.' Not even a short story in school - absolutely nothing.
It's my story ["Selling Isobel"].I chose to write a screenplay about it because I think film is the quickest medium to get a story out, rather than writing a book.
The Internet is disrupting every media industry...people can complain about that, but complaining is not a strategy. And Amazon is not happening to book selling, the future is happening to book selling.
Remember: A best-selling book usually follows a simple rule, It's a wonderful story, wonderfully told; not, It's a wonderfully told story.
What prevailed was that it was a family story, so it didn't matter what the color. It was also the perfect subject matter for a miniseries: A best-selling book, a generational story, a social problem - they all made 'Roots' what a miniseries should be.
Delia Sherman once told me that you never learn to write a story. You only learn to write the story you are currently writing. You have to learn how to write the next story all over again. And she's absolutely right.
I need scarcely say that the beginning and maintenance of life on earth is absolutely and infinitely beyond the range of all sound speculation in dynamical science. The only contribution of dynamics to theoretical biology is absolute negation of automatic commencement or automatic maintenance of life.
Robert Mapplethorpe asked me to write our story the day before he died. I had never written a book of nonfiction, and so it took me almost two decades to write that book.
And she never could remember; and ever since that day what Lucy means by a good story is a story which reminds her of the forgotten story in the Magician's Book.
I don't remember how I picked up 'Different Seasons,' but it was a book I read on a grave shift. I was absolutely floored by it; 'The Body,' a story about kids who go searching for a corpse in the woods, impacted me especially.
What populates a comic-book convention? Well there's actors, and there's dealers, and there's comic-book artists and writers, and there's cosplay people, toy sales people, people who are selling trading cards, and people selling swords. It's not a flea market.
Too many writers think that all you need to do is write well-but that's only part of what a good book is. Above all, a good book tells a good story. Focus on the story first. Ask yourself, 'Will other people find this story so interesting that they will tell others about it?' Remember: A bestselling book usually follows a simple rule, 'It's a wonderful story, wonderfully told'; not, 'It's a wonderfully told story.'
'Brown Girl Dreaming' was a book I had a lot of doubts about - mainly, would this story be meaningful to anyone besides me? My editor, Nancy Paulsen, kept assuring me, but there were moments when I was in a really sad place with the story for so many reasons. It wasn't an easy book to write - emotionally, physically, or creatively.
I'm always happy when I hear about people selling records or selling books or selling movies. It makes me proud of them.
Wanting to know absolutely what a story is about, and to be able to say it in a few sentences, is dangerous: it can lead us to wanting to possess a story as we possess a cup... A story can always break into pieces while it sits inside a book on a shelf; and, decades after we have read it even twenty times, it can open us up, by cut or caress, to a new truth.
I couldn't have known 'Crank' was going to be published, let alone become a big hit. That book was very personal for me: I had to tell the story for myself.
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