A Quote by Rupert Murdoch
Everybody at home speaks mandarin except me.
Related Quotes
It was weird being a kid in the Midlands where outside everybody is white and speaks in a certain way but when you go home nobody speaks that way and everybody looks like you. Every day was this weird threshold crossing.
I went back to China and did a movie in Mandarin, and I don't speak Mandarin, so I learned it phonetically. Now, when I'm on set and somebody gives me English lines, I'm like, "Are you kidding? What's happening? This is amazing!"
When Prince Charles speaks, everybody pretends to be fascinated, even though he has never said anything interesting except in that intercepted telephone conversation wherein he expressed the desire to be a feminine hygeine product.
The next movie will be in Mandarin. I enjoyed shooting all the Japanese stuff in Kill Bill so much that this whole film will be entirely in Mandarin.
I was born in Scotland and have lived there all my life. I speak conversational Cantonese with my dad when I'm at home, and very basic Mandarin.
We've got so many different cultural groups in my family that I've had to learn to accommodate them in different ways. My father speaks different to my mum. My mum speaks different to my grandmother. Everybody speaks different, so you find you start tweaking your language to be more accessible to people.
I wanted to do something far from my intellectual and physical home, so I went to live in Beijing for eight months and took Mandarin Chinese.
I was brought up on the books of The Wizard of Oz and my mother told me that these were great philosophies. It was a very simple philosophy, that everybody had a heart, that everybody had a brain, that everybody had courage. These were the gifts that are given to you when you come on this earth, and if you use them properly, you reach the pot at the end of the rainbow. And that pot of gold was a home. And home isn't just a house or an abode, its people, people who love you and that you love. That's a home.
Everybody either wanted to take care of me or push me around, you know? I was teased a lot, sure I was, of course. Fourth grade, fifth grade, sixth grade, everybody was taking their spurts except me. I was not growing up.
I don't like records that are the same from beginning to end, that are too styled and slick. Everything is so designed and airbrushed and Botoxed, it makes us think, 'Oh, everybody's perfect except me. Everything's smooth except me.' But nothing is smooth.
The guitar speaks for me and it says things - hopefully - for everybody that I play for.
Because my parents are Indian, everybody speaks Hindi to me, and I have no idea what they are saying.
Everybody has that: everybody knows what it's like to go home and then regress and not be running from something, not like who you were when you were home. I think everybody relates to that.
You have hundreds of artists you're dealing with across the world and the scale of this movie [Kung Fu Panda] was insane - we had a parallel pipeline going on where you had two versions recording Mandarin voice actors, getting it to be funny for Mandarin audiences going beyond a straight translation, and then animating it and lighting it, it's a lot of work.
Honestly, I've never had anybody with 'Teen Mom' ever be anything but great to me. Except the editors - they suck. Everybody from the crew, I love them, they're like family to me... I've never had a problem with any of them. Except the editors.
The most difficult thing is that I don't speak Mandarin and I had this experience - of working in a language that I don't understand - before and it's really horrible. Eighteen years ago, I played a mute in one film because I couldn't speak Mandarin. There was another film where I had to speak Vietnamese. It's horrible!
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