A Quote by Ruth Asawa
A lot of women wrote to me. Some wrote me long letters on the meaning of the circle and about mythology and about motherhood and the significance or the symbolism of the mermaid and the frogs and the turtles.
Related Quotes
I wrote a huge number of letters that spring: one a week to Naoko, several to Reiko, and several more to Midori. I wrote letters in the classroom, I wrote letters at my desk at home with Seagull in my lap, I wrote letters at empty tables during my breaks at the Italian restaurant. It was as if I were writing letters to hold together the pieces of my crumbling life.
I took to writing as my medicine to help me stay afloat in acting career journey. I wrote about me breaking hearts, and my heart being broken. I wrote about my views whether they were liberal or conservative. I wrote about everything. I wrote about my life. When I did not have paper coming in as green backs, I'd use random pieces of paper for stories. It was like, I got no money, but I have paper to write. So I wrote.
I do that a lot of authors still do not do is allow people to write directly to me. I get about 50 fan letters a day, and I answer every single one of them myself. It takes a lot of time and sometimes it's a pain in the neck and I answer the same questions over and over. But the truth is these people come to my readings clutching these letters saying, "You wrote me back. I can't believe you wrote me back", and I think it really means a lot for them to know that the author values them just as much as they value the author.
I wrote Her First American and I always say it took me eighteen years. It took me that long was because after about five years I stopped and wrote Lucinella. I got stuck; it was too hard to write. Lucinella felt like a lark. I wanted to write about the literary circle because it amused me, and I allowed myself to do what I wanted to do. It's just one of the things I'm allowed to do if I feel like it.
My recurring nightmare is that someday I will be faced with a panel: Franklin Roosevelt, John Kennedy and Lyndon Johnson all of whom will be telling me everything I got wrong about them. I know that Johnson's out there saying, 'Why is it that what you wrote about the Kennedys is twice as long as the book you wrote about me?
My recurring nightmare is that someday I will be faced with a panel: Franklin Roosevelt, John Kennedy and Lyndon Johnson all of whom will be telling me everything I got wrong about them. I know that Johnson's out there saying, 'Why is it that what you wrote about the Kennedys is twice as long as the book you wrote about me?'
Me separating from CTE - I'm extremely happy about that because a lot of guys wrote me off, Jeezy included. He really wrote me off.
I wrote a letter to my Dad - I wrote, "I really enjoy being here," but I accidentally wrote rarely instead of really. But I still wanted to use it, so I wrote, "I rarely drive steamboats, Dad - there's a lot of stuff you don't know about me. Quit trying to act like I'm a steamboat operator." This letter took a harsh turn right away.
I had a fan who had a fictional relationship with me. She wrote letters to me and then wrote return letters to herself (from me). In her mind, we were married and had two children. Her parents finally uncovered this delusional life she was living and she got help.
I want my thoughts to be an incentive for the reader to give his or her own thoughts. After I wrote 'Proust and the Squid,' I received truly hundreds of letters - I'm still receiving them - and the letters that I wrote back helped me formulate my thinking around things I know are important to others.
A lot of people who wrote for 'Sex and the City' have gone to write about marriage and motherhood.
I wrote The Same Sea not as a political allegory about Israelis and Palestinians. I wrote it about something much more gutsy and immediate. I wrote it as a piece of chamber music.
In the immediate aftermath of the separation I just wrote and wrote and wrote. And wrote and wrote and wrote. Thank God I had that as an outlet.
It's more in retrospect as I've thought about it over the years and look back at what I wrote, how I wrote things - like there's a song that Ralph Stanley later recorded with me that he had guested on my record what was called "Travelers Lantern" that I wrote as basically, you know, a hymn.
When I get real big volumes of hate mail, it's usually because I wrote something poorly. But it's also because some group told people to e-mail me and those people didn't read the article, they read the post about what I wrote about. And they all e-mail me. And they all come around at the same time.
At Princeton I wrote my junior paper on Virginia Woolf, and for my senior thesis I wrote on Samuel Beckett. I wrote some about "Between the Acts" and "Mrs. Dalloway'' but mostly about "To the Lighthouse." With Beckett I focused, perversely, on his novels, "Molloy," "Malone Dies," and "The Unnamable." That's when I decided I should never write again.
Related Authors
Alberto Giacometti Quotes
Swiss
Sculptor
Alexander Calder Quotes
American
Sculptor
Auguste Rodin Quotes
French
Sculptor
Bruce Nauman Quotes
American
Sculptor
Camille Claudel Quotes
French
Sculptor
Claes Oldenburg Quotes
Swedish
Sculptor
Constantin Brancusi Quotes
Romanian
Sculptor
Eva Hesse Quotes
American
Sculptor
Gutzon Borglum Quotes
American
Sculptor
Hans Arp Quotes
English
Sculptor
Henry Moore Quotes
English
Sculptor
Justin Bieber Quotes
Canadian
Sculptor
Louise Berliawsky Nevelson Quotes
American
Sculptor
Richard Serra Quotes
American
Sculptor
Willard Wigan Quotes
English
Sculptor