A Quote by Ruth Brown

I was trying to do Billie Holiday, because she was the voice to be heard at that time. — © Ruth Brown
I was trying to do Billie Holiday, because she was the voice to be heard at that time.
The first time I heard a Billie Holiday record, I thought, 'What's so great about Billie Holiday?'
I had no desire to become a singer until I heard Billie Holiday. The first time I heard her on a record, it was a revelation. She sounded like a woman singing about herself.
If you look at the other singers of Billie Holiday's time, they were really trying to entertain. They were trying to make people feel good. They were singing fast - and she was singing the blues.
When I heard Billie Holiday's voice, Nina Simone's and Ella Fitzgerald's - there was something about their voices to me that was such a different texture than what I was used to listening to at the time. Hearing those jazz voices were so different, and I think I just gravitated toward it.
Billie Holiday's voice was the voice of living intensity of soul in the true sense of that greatly abused word.
I have the ability to sing with emotion and feeling, but if you say I sound like Billie Holiday, that's cool. Let's look at who Billie was: she was this person, this singer, this beautiful diva who could move the audience with the slightest gesture of her hand.
I listened to Billie Holiday a lot in order to learn to sing. She remains one of the extraordinary jazz singers. But my intent is to become my own voice, to be able to interpret these songs in my own way.
There is no singer I can think of who can touch Ella Fitzgerald. And when Billie Holiday sings, she's merciless about it. Her voice has just this immaculate sadness - even in happy songs, there was something that was so broken about it.
I really pulled from that repertoire that Billie Holiday was singing, and the way she sang it. It's sort of this beautiful, not really midpoint, but a period of her career where she really still had her voice. She had that deep wisdom that we've come to associate her with. To me, that's her at the height of her powers.
My vocal influences are a lot of jazz singers: Billie Holiday, Julie London, they had this tenderness to their voice.
The best vocalists I can think of are female. There is no singer I can think of who can touch Ella Fitzgerald. And when Billie Holiday sings, she's merciless about it. Her voice has just this immaculate sadness - even in happy songs, there was something that was so broken about it.
Probably to me the greatest singer, female voice, is Billie Holiday. And one of the most moving for me, I don't know why - maybe it's nostalgia, maybe because my life is one of constant partying, whatever.
[Billie Holiday] was keeping it super real, and you can feel that to this day. Everything that she sang, she believed in. So I had to pick songs that I felt the same about.
I remember, one time, my dad took me and Billie to a fair. I was probably 7 years old, Billie must have been 3, and she put footie pyjamas on and then put a second pair of underwear on over the pyjamas. I remember being like, 'What is Billie wearing?!' and my dad was like, 'She's happy with it. Let's go!'
I think I copied my style from Louis Armstrong. Because I used to like the big volume and the big sound that Bessie Smith got when she sang ... So I liked the feeling that Louis got and I wanted the big volume that Bessie Smith got. But I found that it didn't work with me, because I didn't have a big voice. So anyway between the two of them I sorta got Billie Holiday.
I really like Billie Holiday's husky voice, and I'd definitely like to find out more about her.
This site uses cookies to ensure you get the best experience. More info...
Got it!