A Quote by Ruthie Ann Miles

Rogers and Hammerstein were such a genius pair. They were able to touch on subject matter so far ahead of its time. — © Ruthie Ann Miles
Rogers and Hammerstein were such a genius pair. They were able to touch on subject matter so far ahead of its time.
There were some great clinicians in the 20th century - great men. Freud was a genius; Jung was a genius, Carl Rogers was a genius - there's a half-dozen psychologists of the 1950s and humanists of the 1960s.
We thought that the odds of things working OK were up in the upper 90 percent or we wouldn't have gone. But the - there were some problems cropped up on the flight but was able to take care of those OK and - although they were things that we hadn't really trained that much for. But it was the time of the Cold War and so there were was a lot of pressure on the - to get going and the Russians were claiming that they were - Soviets were claiming they were ahead of us in technology.
Approaching subject matter to photograph is like meeting a person and beginning a conversation. How does one know ahead of time where that will lead, what the subject matter will be, how intimate it will become, how long the potential relationship will last? Certainly, a sense of curiosity and a willingness to be patient to allow the subject matter to reveal itself are important elements in this process.
Both of them were ahead of their time, but they didn't live long enough to see the time they were ahead of.
My favorite 'Mister Rogers' episodes were always the ones where Mr. Rogers would go into the community.
It was the time of the Cold War and so there were was a lot of pressure on the - to get going and the Russians were claiming that they were - Soviets were claiming they were ahead of us in technology. And so it was against that backdrop that the early space flights took off.
He who thinks he can have flesh and bones without being subject to any external influence, or any accidents of matter, unconsciously wishes to reconcile two opposites, viz., to be at the same time subject and not subject to change. If man were never subject to change there could be no generation; there would be one single being, but no individuals forming a species.
When I was in 7th grade, we were all given an exam. It was science and math, and the boys who did well were skipped ahead so that when they got to be juniors or seniors in high school they would be able to go to the local community college and take calculus and physics there. And I wasn't skipped ahead.
There was a time when pop music and rock music were really reaching for the stars and were not ashamed to be experimental. You think of a song like 'Shout' by Tears for Fears. That's a massive global No. 1 hit, and yet the subject matter is very dark.
With some songs, I have written narratives or I've tried to carry it through, but generally the things that were more genius, as far as I was concerned, were not that.
Where the shadow of the bridge fell I could see down for a long way, but not as far as the bottom. When you leave a leaf in water a long time after awhile the tissue will be gone and the delicate fibres waving slow as the motion of sleep. They don't touch one another, no matter how knotted up they once were, no matter how close they lay once to the bones.
Some of the subject matter is a little less weighty. When we were writing for Mr. Show, we were talking about how is this going to stand up to the test of time. Every little piece had to be this brilliant comedy jewel.
I feel very fortunate to have been associated with people such as Rodgers and Hammerstein. I think they were geniuses of their time.
I've done far too many things that I felt were going to be genius that weren't and I've done some things that I didn't think were going to be much that really connected with people. So expectations are left at the door. But hope exists all the time.
If you had two pair of jeans, four shirts, you were cool if you had a couple pair of kicks that were fresh. That was it. That's how it started.
Learning how to shine a pair of shoes to me was like if you could do, you were like you were on your way to having abilities and skills as to be able to spit-shine a pair of shoes like they're patent leather. You're a bad dude. To spit-shine a pair of shoes. So, even to that small detail, that aided me and assisted me in becoming the artist that I am. My uncles' sense of style, their type of ties they used. The way they wore their suits, big and huge and baggy. The way they did their haircuts with the side burns. All of that.
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