A Quote by Rutina Wesley

Doing a play is so fulfilling. Words cannot describe how I feel when I finish doing a play. — © Rutina Wesley
Doing a play is so fulfilling. Words cannot describe how I feel when I finish doing a play.
I'm the guy who plays human beings. I understand why the characters are doing what they're doing. When you play a villain, you don't play a villain: you play a human being doing what he thinks he needs to do to get what he wants.
It actually took me a year to learn how to play running back - to understand what they were doing defensively and then what our guys were doing every single play.
When I was coming up, I just wanted to play baseball and I'm doing what I love to do most. How can I feel pressure doing what I love to do?
It's all about having fun. Play hard and fair, don't hurt anybody. Feel good about what you're doing and how you're doing it.
I do so play an instrument! I play air! I play the air with my fingers, and I'm in touch with the deepest emotions within. It took me a while to learn that whatever I feel like doing is the right thing. If I want to play an invisible instrument, I will.
I always think that I love doing what I'm doing at the moment. The past is over. I can't go play one of those characters again. But I can play this and I can continue to grow in what I'm doing at the moment and that's really what I'm thinking about now.
Words can't describe how one would feel in that moment after doing a test for something you really want but in your heart you don't think you have a chance of getting.
I get a lot of people saying to me, 'Oh, you're the actor who plays the nutters,' and I'm not. I'm the guy who plays human beings. I understand why the characters are doing what they're doing. When you play a villain, you don't play a villain: you play a human being doing what he thinks he needs to do to get what he wants.
I'm doing this play right now, the new David Mamet play. It's called 'Race,' and it's very interesting how people really leave the theater filled with the desire to talk about the play and the issues and the characters, and how they're all navigating their personal views around race.
Some people say doing a studio show and doing play by play are two totally different animals. And to an extent, that's true.
I love the students - they are remarkable, inspiring people. I would miss teaching if I stopped doing it. The kind of work I do is pretty diverse: I can cast a play while doing a polish of a screenplay, while thinking about a new play and revising another. In other words, the kind of work that I do during my work day is not just writing, yet it is all part of the job of being a playwright.
Your artistry is a muscle that needs to be exercised, so if all you are doing is auditioning, you'll never get the satisfaction of fulfilling the need to play the part.
Work and play can be the same. When you are following your energy and doing what you want to do all the time, the distinction between work and play dissolves. Work is no longer what you have to do, and play what you want to do. When you are doing what you love, you may work harder and produce more than ever before, because you are having fun.
I love opening night, and I love doing plays. But one of my favorite parts about doing a play or working on a new play is rehearsal.
Sometime haters would say or misunderstand how lucky I am to doing what I'm doing, to be healthy and play my sport and passion.
If I'm watching my son play soccer, that's what I'm doing. If I'm going to a school concert, that's what I'm doing. I turn the phone off. I actively tune into whatever I'm doing. I walk every evening with one of my sons and for that half an hour, 45 minutes, that's what I'm doing.
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