A Quote by Ryan Montgomery

I feel think the next logical step is acting, which I think is cool but I never got the acting bug. I never looked at a movie and thought "I wanna act," but after seeing that play I thought, "I wanna write a movie, and I wanna write a play." I will write a movie and I will write a play.
When I was a kid I was a big fan of the Universal Monsters movies of the 1930's and the 1940's. I loved movies like The Wolfman (1941) and Dracula (1931). I really wanted to be in those movies. Eventually I started nagging my parents about it, and it turned from, "I wanna be in a monster movie! I wanna be in a monster movie!" to "I just wanna be in a movie." So I think my parents just thought that if they took me to one audition I'd see how boring it was and I wouldn't wanna do it. But I ended up getting the part, and I got a bunch of roles after that as well.
If I'm gonna play a character in a movie or if I want to be the lead of a film, you wanna carry the guy, you wanna get the girl, you wanna save the day or the world.
I live in L.A., and whenever I get together with anybody to write, everybody is obsessed and fearful and wants to write a hit for everyone else. They wanna write a hit for Rihanna; they wanna write a hit for Katy Perry.
I don't really wanna think about themes. I wanna just think about the experience of the movie. I feel like, as soon as I reduce it to a theme, once I write that sentence, it won't be that great. I feel like there's more potential for it to mean something interesting if I'm not forcing it to mean something I've already decided.
I can't write anything for myself. I can write when I hear like [John] Coltrane play something; I used to write chords and stuff for him to play in one bar. I can write for other people, but I don't never write for myself.
I think theatre is a democratic act and I think writing a play is not a democratic act. I think we should give writers more leeway and space to write the thing they want to write, and then we should produce the play, multiple times, and let them re-write it.
I thought I could never write a proper book; I'd never done it before. But I thought I could write a sequence. Then I had a chapter. The next thing I knew I was turning acting down.
Lil Wayne'll make you wanna jump up, get three jobs, write a song, and do a movie!
I wanna do a movie! Anything that I connect with, really. I read scripts, I've taken some acting lessons, and I feel like that's definitely my next goal.
I always talk about the reporters that grovel when they wanna write something that you wanna hear but not necessarily millions of people wanna hear or have to hear.
I'm not really a movie star. No matter what I do in acting, whether I'm good, how much work I get, whatever, I never will be a movie star. Because I never think of myself as one. You are a movie star because you think of yourself as a movie star and always have.
Do you wanna be a poet and write? Do you wanna be an actor up in lights? Do you wanna be soldier, and fight for love? Do you wanna travel the world? Do you wanna be a diver for pearls? Or climb the mountain, and touch the clouds above? Be anyone you want to be. Bring to life your fantasies. But I want something in return, I want you to burn, burn for me, baby. Like a candle in the night. Oh burn, burn for me, burn for me.
Man, I don't wanna do what all the other guys do. I don't wanna end up in the booth after the games telling you what I think and talking smack about the guys on the floor when they are a lot better than that. I wanna be different. I don't wanna be known as Commentator Shaq. I wanna be a doctor or something good. I wanna be Dr. Shaq, Officer Shaq, Deputy Shaq.
I wanna produce, write, and direct my own projects, and eventually fund them. I wanna be a mogul.
I do write, I enjoy it. But I like acting. I wanna be in front of the camera as much as I can as long as I can, so I'm still pursuing that. There's just a lot going on. I write standup, so it's just a matter of time. I just need more time!
Remarkably, there's no green screen in 'Leaves of Grass' movie. There is motion control. Technically, there were all sorts of challenges, but really the soul of it is Edward Norton talent. You write these characters when you write a movie, and all you can hope for or depend on is that your actors will elevate the material.
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