A Quote by Ryuichi Sakamoto

I loved the freedom of improvised music. — © Ryuichi Sakamoto
I loved the freedom of improvised music.
At a certain point, I started playing improvised music. After a couple of years of this, I did a little bit of analysis and found most improvised music the kind I was listening to at least, which was mainly European to be as, if not more, formulaic than any other kind of music. For example, improvised pieces would often begin and end in the same way.
I am an improviser, ... I improvise music. Whatever you want to call it all, it is all improvised music. I may capture it and go back and write it down for others, but it was originally improvised.
As there are more online archives of improvised music, it becomes more like the daily practice of playing it. It lessens the idea of there being masterpieces of improvised music through benchmark recordings.
I've always liked the idea of improvised music. Improvised anything. It's what conversation is.
What I'm after is a composed music that will sound like improvised music when improvisors play it. You shouldn't be able to tell what parts are being improvised and what parts were written out beforehand; it should sound like the same music.
In the U.K., classical music is composed by individuals and written down. Indian music is based on certain sequences called ragas. When I perform live, 95% of the music is improvised: it never sounds the same twice.
A master of improvised speech and improvised policies.
I've always loved improvising. That's how I write songs. Creativity has an improvised element to it.
I've always loved improvised movies like Christopher Guest and the 'Spinal Tap' era of comedy.
My sister loved country music. My mother loved Spanish music. And my dad was into big band music and jazz.
I actually did a lot of improvised movies or movies that were partially improvised.
The freedom to be someone else entirely and be different versions of something. That's what I loved and I loved watching movies and I loved watching television, I loved reading books. That kind of escapism into another world was my favorite thing.
There's an awful lot of resources that can be drawn upon in an improvised music concert.
When I first started out in this music industry, I was most concerned with freedom. Freedom to produce, freedom to play all the instruments on my records, freedom to say anything I wanted to.
My dad had these great Benny Goodman albums that I was obsessed with, and Louis Prima's another guy I loved, and Peter Niro the jazz pianist. I loved international music: Irish music, Mexican music. I love the different colours that they all have.
I always loved the way music made me feel. I did sports at school and all, but when I got home, it was just music. Everybody in my neighborhood loved music. I could jump the back fence and be in the park where there were ghetto blasters everywhere.
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