A Quote by Rza

Wu-Tang Clan's first album, '36 Chambers,' there wasn't a lot of money given to make that album. — © Rza
Wu-Tang Clan's first album, '36 Chambers,' there wasn't a lot of money given to make that album.
My first encounter with Wu-Tang Clan came when I ordered six CDs from those throwback catalog orders, from Columbia House or something, and '36 Chambers' was one of them. It was on from then.
I grew up listening to a lot of Snoop Dogg and the Wu-Tang Clan. Actually, I was a huge Wu-Tang fan.
To me, Wu-Tang is beyond Wu-Tang Clan... It's just like, hip-hop is beyond Grandmaster Flash, but Grandmaster Flash was one of the first guys to hit those turntables like that. The same thing with Wu-Tang. You'll see the difference in hip-hop from the moment we came in to before we came in. We changed it. We changed the whole structure.
I'm slow on the uptake about things. I didn't understand that the first Wu Tang album was great when I first heard it.
I used to love the Wu-Tang Clan. They took my school by storm, by which I mean the three kids in my year who listened to hip-hop. I skipped lectures to go and buy their second album, 'Forever', and then rushed home to listen to it.
I like the Wu Tang Clan a lot.
I thought that Wu-Tang was the best sword style - the best sword-style of martial arts. And the tongue is like a sword. And so I say that we have the best lyrics, so, therefore, we are the Wu-Tang Clan.
Method Man, for him to offer me the spot as the first Jewish member of the Wu Tang Clan, you know, was an honor.
Wu-Tang was going through it. They didn't come from great homes or families. They really came from hard beginnings so it just made me reflect on my own situation. If Wu-Tang was able to make it, why can't I?
Whether you hear me come out with another album or whether you hear any one of the Clan members, we're always going to involve everybody. When I look at 'Only Built 4 Cuban Linx, Part II,' I look at that as a Wu album. You feel me? Even though it was my brand and my thing that I done, I had my dudes on it.
'The W' was real dark to me. Out of all the Wu-Tang albums, I like the first one and the second one. When 'The W' came into play, and the other ones, I felt they were just thrown together fast. Everyone got their money, and it was just like, 'Whatever, whatever, whatever.' 'The W' was a real dark album.
We started playing music because of the Wu-Tang Clan.
I grew up listening to a lot of early '90s hip-hop. I had the debut Wu-Tang album, Biggie, Snoop, that kind of stuff. Hieroglyphics, the Gravediggaz. I remember D.O.C.'s 'The Portrait of a Masterpiece' was something that had a big influence on me.
It costs a lot of money to make an album in a studio in New York with a producer and musicians. I have to pay a publicist every month. I have to pay for mastering, production, the manufacturing of the discs. Then, to promote an album properly, you have to spend a lot of money.
I have to go into the studio to make my second album knowing I'm making an album. When I first started making songs I didn't have an album in mind, that's why a lot of them I like - I'm talking about how I haven't got a deal, how I'm living, you can never really top the first time, but we'll see how it goes.
On my first album nobody asked me for a lot of advice. It was a producer's album. We were sent the same type songs with stock melodies. It was my first album and I was happy to do about anything they'd ask me.
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