A Quote by Sal Khan
Some of the beauty of a university is that every professor is given a lot of autonomy over what he or she does. That's also what makes it very hard for even a very forward-thinking president to change courses.
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Here's what my CV usually does not say: I was trained as a teacher. My first job lasted less than 60 days. I was an assistant professor at a good college at Delhi University, but I found it very political, very suffocating. At the age of 23, you're not very tolerant of those things.
I'm a very happy university professor... the best thing about being a university professor is that you see young people as they're being shaped and molded toward their own future, and you have a chance to be a part of that.
Some form of gnosis or immediacy is attached to all thinking as its root-form or primitive origination; every act of thinking has this passive derivation, this coming-into-being of thinking not out of nothing (as it likes to imagine) but out of some unthinkable something. But the most self-abstractivist or self-reductivist kind of thinking cannot tolerate even the notion (much less the traumatic experience or confrontation) of an incurable pathos, a weakness or blind-spot, within consciousness. The very idea is an insult to the autonomy or self-determinability of ego/will/reason.
Viola Davis, she does have a lot of TV acting jobs, and she's also a very, very accomplished stage actress.
My character Kabir Raichand in 'Haasil' is quite a brat. It's a very naughty character... very impulsive. He does a lot of things without thinking and then realises that 'oops I messed it up.' But he is very clean hearted, straight forward and a nice guy.
I don't over-think my existence. I'm a very imperfect person, like most of us are. I'm also a very busy person. I have a family. I have a career. I'm a professor at NYU. I have a full life for which I feel grateful every day.
I can't imagine that I would be asked that by the president-elect [Donald Trump], or then-president [Barack Obama]. But it's - I'm very clear. I voted for the change that put the Army Field Manual in place as a member of Congress. I understand that law very, very quickly and am also deeply aware that any changes to that will come through Congress and the president.
I've known a lot of very religious people. My mother is very religious, but she was also very - is very private about it. She - when I was growing up, she never went to church. She just prayed and read her Bible and kept it to herself. So I'm not from a background of flamboyant believers. It's much more a personal issue.
I think that what is truly unfortunate is when an entire party makes a decision that they're going to block every single thing that a president wants to accomplish. It's very - it's very hard to get anything done in those circumstances.
My mother was a gypsy, and she had a lot of dark blood in her, and her hair was very, very thick - she couldn't even get a brush through it. So I have been very fortunate. And every time I go to cut it off, hairdressers refuse to do it.
It's very interesting for me to listen to music with my wife. She's not a musician but she very often makes comments about pieces in ways that are similar to what I'm thinking.
The university president who cashiered every professor unwilling to support Woodrow Wilson for the first vacancy in the
Trinity. . . .
[Adrienne Shelly] explain exactly what she was looking for. This was her movie [Waitress].She also wrote the songs that I sing in it. She wrote everything. She chose the colour of our outfits; she designed the set of the diner. She was very, very involved at every level.
I'm still an English professor at Rice University here in Houston. They've been very generous in letting me on a very long leash to just work on 'The Passage' and its sequels.
My mom, she was a very, very soft woman. It was hard for her to yell or even curse. But when it came to fighting for her kids, she found a strength she didn't always know she had.
True to their history, the English are very domineering and have manipulated it in different ways. I wouldn't say that there was an original, but there is a lot of expurgation in some of the Victorian translations, and there's a lot of additional salacious nonsense in some of them, too. I also like the early French one, much-derided for being fanciful but which is actually very elegantly done. It's very big, very capacious.
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