A Quote by Sally Field

I find that I'm not as worried anymore about what other people think. That's a comfortable place to be. And I'm starting to let go of the feeling that I need to push myself to do things I don't want to do - an impulse that has always been linked to the feeling that I'm not enough.
If I find myself just not feeling like writing songs anymore, I think I'll drop it. There's enough bad, insincere music out there. I don't need to contribute to that.
We used to think, 'I have a feeling; I want to make a call.' Now our impulse is, 'I want to have a feeling; I need to send a text.'
What? What am I 'bound to be feeling?' People don’t think anymore. They feel. 'How are you feeling? No, I don’t feel comfortable. I’m sorry, we as a group we’re feeling….' One of the great problems of our age is that we are governed by people who care more about feelings than they do about thoughts and ideas. Thoughts and ideas. That interests me. Ask me what I’m thinking.
I think you find universal truth when you get really honest with yourself and you can reach people. If you go deep enough, you have that core feeling, and that feeling can transcend the details of your experience.
Often when I finish a film I'll have that feeling inside me: 'I never want to do this ever again. I don't want to pretend anymore. I want to be myself and do that.' And then, thank God, that feeling goes away after a month or so and I'm raring to go again.
There are two aspects to making movies: One is the feeling of wanting to push myself into stuff that I don't know how to do. Then there's the other impulse to try and earn a living. I want to be careful about not confusing those too much - not that those things can't have a healthy overlap. Plenty of people start out making work that isn't terribly commercial, and then make work that's more commercial but still good. You just want to watch out for that thing where you tell yourself that you're doing your best work when you're not.
Kids have moved from, "I have a feeling, I want to make a call," to "I'd like to have a feeling, I need to send a text." In other words, there's a continual need for validation. They're constituting a thought or feeling by sending it out for votes. That's really not where you want to be emotionally.
When I go in the studio, I put myself into a place where I'm feeling something I want to portray, which is often being sad, lonely. But as soon as I'm starting to make something, it's when I'm the happiest. Ever. I think that comes out at the same time, so there's that juxtaposition.
If you're a person and care about other people - I don't think I have any sort of special understanding or anything, I think any feeling person would experience similar things if given the same opportunities to see the things I've been lucky enough to see and meet the people I've been lucky enough to meet.
You have to find balance. Whenever I start feeling stressed or not feeling myself, it's about balance, and it means I need to find it again.
A library is many things. It's a place to go, to get in out of the rain. It's a place to go if you want to sit and think. But particularly it is a place where books live, and where you can get in touch with other people, and other thoughts, through books. If you want to find out about something, the information is in the reference books---the dictionaries, the encyclopedias, the atlases. If you like to be told a story, the library is the place to go.
It's always a nice feeling, having people think that you feel things much deeper than you're allowed to say, but this isn't true. If you want to find out what a writer or a cartoonist really feels, look at his work. That's enough.
There's sometimes a tugging feeling you get to push further when you aren't being challenged enough or when things get too comfortable.
It's the feeling that really creates the attraction, not just the picture or the thought. A lot of people think, “If I think the positive thoughts, or if I visualize having what I want, that will be enough.” But if you're doing that and still not feeling abundant, or feeling loving or joyful, then it doesn't create the power of the attraction.
As time goes on and you become more comfortable in your career path, and things are starting to make sense, and it's not just about work, you find that you're able to focus on other things and other people.
...at last I understood that writing was this: an impulse to share with other people a feeling or truth that I myself had.
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