A Quote by Sally Rooney

I'm not totally comfortable with the ways in which our culture monetises art and literature. — © Sally Rooney
I'm not totally comfortable with the ways in which our culture monetises art and literature.
Part of my methodological approach is made explicit when I discuss ways in which literature can have philosophical significance. Literature doesn't typically argue - and when it does, it's deadly dull. But literature can supply the frame within which we come to observe and reason, or it can change our frame in highly significant ways. That's one of the achievements I'd claim for Mann, and for Death in Venice.
Art can no longer be art today if it does not reach into the heart of our present culture and work transformatively within it that is, an art which cannot mould society — and through this naturally operate upon the core questions of our society — is not art.
The culture of a civilization is the art and literature through which it rises to consciousness of itself and defines its vision of the world.
It is not easy to be a Witch, a bender, a shaper, one of the Wise; nor is it safe, comfortable, laid back, mellow, uplifting, or a guarantee of Peace of mind. It requires openness, vulnerability, courage and work. It gives no answers, only tasks to be done and questions to consider....It functions in those deeper ways of knowing which our culture has denied and for which we hunger.
The culture of France is unique because it's a culture that has a high priority on the arts, more than any other place in the world in our time since Greece. So as a practicing artist, if you will, this is home ground. They love us, so music, literature, art continues to be the center.
So I am totally aware that when I defend the autonomy of art I'm going counter to my own development. It's more an instinctive reaction, meant to protect the private aspect of the work, the part I am most interested in and which nowadays is at risk in our culture.
You have to be at the forefront of culture to create art, which they call "product," and Hollywood is not. It's this very old business model, which I think is dying in a lot of ways.
Humans are particularly interesting; our culture is incredible, there's no doubt about that. In many respects, no other species matches ours. But in quite a few respects, they do, and that can help us, perhaps, to better understand our own culture. We look at the ways humans are similar to other animals, and at the ways they differ, rather than just saying, "We have culture and you don't."
I think cinema is linked to literature by a lot of social ways. Our brains are full of literature - my brain is.
Art in the art world, and culture in general, are branches of the media, which produces our political and social thinking climate.
The things that inform student culture are created and controlled by the unseen culture, the sociological aspects of our climbing culture, our 'me' generation, our yuppie culture, our SUVs, or, you know, shopping culture, our war culture.
In France, we have laïcité, which means that atheism is almost our state religion. But I think a very important part of Western culture is in the centuries when Christianism was dominant and was present in almost all works of art - not only liturgical works, but also literature and music. Yes, it's important to have that in our present. It doesn't mean that people have to adhere to a dogma or practice a religion, but it's part of our heritage, and you have to at least try to understand it. Otherwise you can't be a modern person.
We look for evidence of the divine and we find it in nature, in art, in literature, in music in film, so, rather than fear the surrounding culture, and the surrounding cities which predictably results in a bunker mentality the emerging congregation embraces the culture and expects to find God in it" the emerging congregation embraces the culture recognizing that its not all pretty but it embraces the culture and even then expects to find god in it because there is nowhere god isn't. there are many places where the church isn't but I don't think that means there are places where god isn't.
I think the more you understand myths, the more you understand the roots of our culture and the more things will resonate. Do you have to know them? No, but certainly it is nice to recognise how deeply these things are embedded in our literature, our art.
Art is not like other culture because its success is not made by its audience. The public fill concert halls and cinemas every day, we read novels by the millions, and buy records by the billions. 'We the people' affect the making and quality of most of our culture, but not our art.
We have this idea that everyone should be totally independent, totally whole, totally together spiritually, totally fulfilled. That is a myth. In reality, our lack of fulfillment is the most precious gift we have. It is the source of our passion, our creativity, our search for God. All the best of life comes out of our human yearning, our not being satisfied.
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