A Quote by Salman Rushdie

Originality is dangerous. — © Salman Rushdie
Originality is dangerous.
Originality is dangerous. It challenges, questions, overturns assumptions, unsettles moral codes.
Beware originality. In women fashion originality can lead to carnival.
Originality is not seen in single words or even in sentences. Originality is the sum total of a man's thinking or his writing.
Knowing how to paint and to use one's colors rightly has not any connection with originality. This originality consists in properly expressing your own impressions.
I think true originality is perpetual. It's always rolling along. True originality is not like this award or trophy you get if you do something weird. It's with you if you have it, and it's still rolling along somewhere, you just gotta go find it. It takes time to reach that point, and understand true originality... I think we all can find it.
Originality consists of returning to the origin. Thus, originality means returning, through one's resources, to the simplicity of the early solutions.
The infallible criterion by which to distinguish the true from the would-be strategist is the degree of originality of his conceptions. It makes little difference whether this originality is carried to excess, as was the case with Steinitz and Nimzowitsch.
Well, the way I play, I try not to be a 'repeater pencil', ya dig? Originality's the thing. You can have tone and technique and a lot of other things but without originality you ain't really nowhere. Gotta be original.
Both the 18th and the early 20th centuries, however, feature brilliant attacks on originality, and it's no doubt one of the hallmarks of romanticism to care about originality and suppose with a sometimes naive spontaneity that it's all that matters.
The general advertisers and their agencies know almost nothing for sure, because they cannot measure the results of their advertising. They worship at the altar of creativity, which really means 'originality': The most dangerous word in the lexicon of advertising
Originality is another criterion of aesthetic value. We may formulate an originality principle, according to which highly valuable works of art provide hitherto unavailable insights.... Notice that, although originality is a necessary condition of high aesthetic value, it is far from a sufficient condition. Many original works have little or no aesthetic value. An artwork may present a novel but uninteresting perspective, or one that is original but wrong.
Originality doesn't consist of saying it first, originality consists of saying it in a way that is specifically tailored to the moment in which you are addressing - and at the moment when the complications arise, challenging the logic of what you're doing.
Kindle Worlds is a clever way to monetize a formerly underground trend, and to enable its participants to be remunerated. But it will be of no interest to writers with any literary ambition, as its constraints are designed to stymie even the most rudimentary impulses - even the first flickering of a dangerous originality.
I admire anyone who can come up with something original. But not originality alone, because there can be originality in stupidity, with no musical description of any emotion or any beauty the man has seen, or any kind of life he has lived.
Man is a rope stretched between the animal and the Superman-a rope over an abyss. A dangerous crossing, a dangerous wayfaring, a dangerous looking-back, a dangerous trembling and halting
Instinct told me it was dangerous. I could handle dangerous. Dangerous and me went back a long way. We did lunch when dangerous was in town.
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