A Quote by Salman Rushdie
The interesting thing about history sometimes. is that you know these people existed, and you knew what jobs they did, but you don't know much about them as people, so you actually have to make them up.
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"Only write what you know" is very good advice. I do my best to stick to it. I wrote about gods and dreams and America because I knew about them. And I wrote about what it's like to wander into Faerie because I knew about that. I wrote about living underneath London because I knew about that too. And I put people into the stories because I knew them: the ones with pumpkins for heads, and the serial killers with eyes for teeth, and the little chocolate people filled with raspberry cream and the rest of them.
Sometimes, people mistake fire in the belly for too much pepperoni pizza the night before. They make a great speech and people come up to them and tell them, "You could be president." And the next thing you know, they're running, not because they really ought to or have any shot at doing it, but because they have, you know, a handful of people that tell them they are looking at the next president.
We went to Comic-Con and there were people dressed up as the characters. There's a whole canon of Ninjago history that I didn't even know about until the process of making the movie had started. Especially at Comic-Con, I realized that people really, really care about this, and I hope they like it because it's meaningful to them. It did actually change my feelings about it.
I like people who, you know, as you go along in life, you know, a thing happens, and people become a seeker. They look for something to give them the path to their full potential. I like them to know about transcendental mediation, but they've got to make up their own mind to take it and use it.
I think it's one of the nicest privileges as an actor is to know that you can move people in one moment, make them think about their lives, or make them laugh or make them cry or make them understand something. Or just make them feel something because I think so many of us, including myself, spend too much time not feeling enough, you know?
Let me tell you what is interesting about the administration. We had Central American miners that were placed in Ohio, and we never knew a thing about it. We didn't know where they were. And, in fact, we know now that some of them, there is a case going on where some of them may have been human-trafficked.
Interesting thing that is happening in American society is that people are starting to talk about money. I don't know how you feel about this, but for a long time, nobody was talking about money. It was a secret. And it's kind of very interesting because we do lots of stuff to portray to people about how much money we have, the clothes we wear and the cars we have and the house - they all kind of depict to other people, signal how much money we make, but we don't talk about it specifically.
I get so sick and tired of hearing people gripe about what their parents did to them. You know what your parents did to you? The best thing they could do. The best thing they knew how, the only thing in many cases that they knew how. Nobody has set out maliciously to hurt their child, unless they were psychotic.
I just really care about what people see. I want them to know that I'm working hard for this. The artists that I look up to like, you know, Michael, Prince, James Brown. You watch them and you understand that they're paying attention to the details of their art. And they care so much about what they're wearing, about how they're moving, about how they're making the audience feel. They're not phoning it in. They're going up there to murder anybody that performs after them or performs before them. That's what I've watched my whole life and admired.
Alabama is somebody that I have always loved, but I think what is so cool about them - it's amazing, actually - is that even people who aren't enormous fans, you know their music. You know of them; you know what they've done in the music world. I think that really says something about them.
So much of what we know, and what we think we know, about the land has first passed through someone's lens. The interesting thing is to make use of this history, not merely to be absorbed into it. For me, landscape photographs begin as the artifacts of personal moments. They get interesting when they become cultural commentary.
I'm a big believer in you make your argument to everybody, and you do it in a way that is real and very candid. Even if people don't agree with you, they appreciate that you're telling them what you believe and they know that you care about them. That's I think a very important part of it that sometimes gets missed, is that people will be OK with you saying something they're not totally on-board with as long as they know that you believe it because you want to help them. That means you've got to care about everybody.
Here's the thing about Jews in Hollywood. Not to stereotype, but the Jews I know here are the funniest, most self-deprecating people I know. And it's rare to find a Jew that is actually offended by comedy about them.
We know people by their stories: their history, their habits, their secrets, their triumphs and failures. We know them by what they do. We want to know mountains too, but they’ve got no story. So we do the next best thing. We throw ourselves onto them and make the stories happen.
I think it's important to understand Shari'a to be rooted in history - what we know about the history and what we don't know about the history. So then, if people want to argue, at least they're arguing from the same point and we know what we know, and we know what we don't know.
People love talking about their jobs. Take them out, buy them lunch or take them for a beer and they'll talk about their job, provided they know that you're going to respect their anonymity.
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