I'm used to getting reviews. I try not to read much because you'll always focus on the bad ones and not remember the good ones, so it can be a negative thing for a performer.
I try not to read too much because what ends up happening is that you ignore the nice reviews and you just focus on the bad reviews. A negative lesson is learned seven times deeper than a positive reinforcement.
It's always good to get good reviews. I read my reviews. There are a lot of writers who don't read their reviews at all. I read them; then I put them away because it's not good to engage with them too much.
Every year I tell myself that I’m not going to read any reviews and then I do. We’re all human and when I read something negative it hurts. I think when you write it’s part of the game, you’re going to get some good reviews and some bad reviews and that’s how it goes. I don’t write for the reviews.
Every year I tell myself that I'm not going to read any reviews and then I do. We're all human and when I read something negative it hurts. I think when you write it's part of the game, you're going to get some good reviews and some bad reviews and that's how it goes. I don't write for the reviews.
I have always read all my reviews, the bad along with the good (although you remember the bad much more than the good!). I am just too curious to see how it's playing with the audience, and I have a thick-enough skin to handle the less charitable assessments.
I don't read reviews. Just because that is something that's directly connected to my job. I'm doing this because I love it, not because I'm necessarily looking for approval or anything like that. To me, it seems that reading reviews - whether they're good ones or bad ones - can only sort of force the person to divorce themselves from the reality of what it is they do for a living. So I don't read reviews.
If you read the good reviews you gotta read the bad reviews. I kind of think of it as like being a quarterback: you get way too much blame when it's bad and way too much credit when it's good.
I make a point of not reading reviews because of the old adage, if you read the good ones then you have to read the bad ones, and if you read the bad ones, you have to, you know... And also because it's a very, very bewildering and exposing thing.
I don't pay much attention to the press. My films always get good reviews and bad reviews. I just try to make the best film I can.
I've seen many shows ruined by bad reviews and good reviews, so I always tell my actors not to read the reviews until after the run is over.
I always used to want everyone to like me, because it used to hurt so much when people made snidey comments or gave me bad reviews, but I've learnt to deal with it.
I don't read reviews. I haven't read them for probably 30 years. I can't. When they're bad, they're really rough, and when they're good, they're not good enough. You can always find something to stress over.
I get a sick joy out of bad reviews. I don't read good reviews.
I guess you have to be a little arrogant to be a writer. I decided early on that just because a lot of other writers were bothered by getting bad reviews didn't really mean that the things were particularly important. By the same token, the good ones didn't mean all that much either. So I just forget about reviews and I wrote what I wanted.
I don't read reviews or interviews or anything, just because I'm afraid; If I believed the good, then I'd believe the bad, and there will be bad.
You know, I can't remember my good reviews. I remember negative ones. They stay in my mind.