A Quote by Samuel Barnett
Max [Landis] writes in quite a heightened way, specifically for Dirk. There's a rhythm and a specific speed to it, and it was very easy to learn because it was so well-written. It just rolled off the tongue. There aren't many auditions that I go for, where I feel like I could actually do the part. But with this one, even though I was not quite sure how to pin Dirk down, I thought I could do it.
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Dirk is like the German Moses, invincible and inspiring. That is why 'His Name Is Dirk' must be the Official Fan Song for Dirk Nowitzki.
Because I'm playing Dirk Gently [ in Dirk Gently's Holistic Detective Agency], I'm so fond of Dirk. I really see Dirk's vulnerability, and you get that, more and more. You'll start to see a little bit more of Dirk's backstory, why he behaves the way he does, and why he's doing what he's doing. I see a lot of his vulnerability, his sensitivity and his insecurity.
Sometimes it's not even a role that's specifically written for a woman. It could be a role written for a white man or Asian man, or Latino. If it's something that I feel I could do well, I go after it. Especially if it's nothing that has to be gender or race specific, I'm all over it.
The things that Dirk has done for this league and for the Dallas Mavericks, it's unbelievable. And Coach Kidd was a teammate of Dirk, so for Jason Kidd to compare me with Dirk Nowitzki, it feels nice. It's a nice compliment.
Dirk was obviously a player that I looked up to. In high school I actually wore No. 41 in honor of Dirk. He was the first player where I was like this guy is seven-feet tall and shooting jump shots and shooting threes, this is what I want to be like.
In my head, the 5 issues of A Spoon Too Short comprise one novel: a 100 page graphic novel sequel to Douglas' two Dirk books, taking some of the ideas he was working on before he died, and a whole bunch of new stuff from me and a little from Max Landis (who is the Executive Producer on the book as well as writing the forthcoming TV series).
You had to stay awake married to him [Humphrey Bogart]. Every time I thought I could relax and do everything I wanted, he'd buck. There was no way to predict his reactions, no matter how well I knew him. As he'd said before our wedding, he expected to be happily married and stay that way, but he never expected to settle down. He liked keeping people off balance. He was good for me -- I could never be quite sure what he would do.
My son's name is Dirk - I named Dirk Pitt after him when he was about three years old.
Dirk Gently has been a long passion (my career started with Douglas Adams and my stage adaptation of Dirk Gently) .
Dirk turned on the car wipers, which grumbled because they didn't have quite enough rain to wipe away, so he turned them off again. Rain quickly speckled the windscreen. He turned on the wipers again, but they still refused to feel that the exercise was worthwhile, and scraped and squeaked in protest.
Wow, I wish I could have done something like that.” That’s the thing, with other filmmakers, if I like them I just feel admiration. And yes, I usually say, “I wish I could have been part of that creative process,” because the films I admire like that are so specific that I know the creative process is also so specific, it’s nothing you could just imitate.
We're in a strange state in our world where we sort of have that belief - and I have it too - that if it's written down there's got to be some truth in it. We haven't quite got to the spot where you go: "Well, it doesn't necessarily mean it's true." It could actually be completely made up and made to look very nice. So, we have to get to the point where scandal and those kinds of things are less and less important because otherwise we won't have anyone willing to run as politicians.
When I was in high school in England, I wasn't sure that you could have a career in fashion. In those days, there were very few fashion magazines. I didn't realize there was a school where you could go and learn how to make clothes and design. I thought you just had to be discovered somewhere, like a film.
Shakespeare often writes so ill that you hesitate to believe he could ever write supremely well; or, if this way of putting it seem indecorous and abominable, he very often writes so well that you are loth to believe he could ever have written thus extremely ill.
Formula One does very well. It is a very interesting asset. Could it be run in a different way? Sure it could be. Could it be improved? I'm sure it could. But all I can say is, it seems to do pretty well.
I've often hesitated in beginning a project because I've thought, 'It'll never turn out to be even remotely like the good idea I have as I start.' I could just 'feel' how good it could be. but I decided that, for the present, I would create the best way I know how and accept the ambiguities.
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