It's often hope, hopeful movie making. You're always looking for catchphrases. That's always funny, when you're looking for that future line. "Uh oh, future line. Okay."
The Past is dead, and has no resurrection; but the Future is endowed with such a life, that it lives to us even in anticipation. The Past is, in many things, the foe of mankind; the Future is, in all things, our friend. In the Past is no hope; The Future is both hope and fruition. The Past is the text-book of tyrants; the Future is the Bible of the Free. Those who are solely governed by the Past stand like Lot's wife, crystallized in the act of looking backward, and forever incapable of looking before.
'Neon Future' is, in short, a positive outlook on human progress and technology, looking forward to a bright, colorful utopia. It's embracing the future and looking toward the future in a more optimistic way.
I am always looking to the future of making things.
. . . hope resides in the future, while perspective and wisdom are almost always found by looking to the past.
I'm always interested in looking forward toward the future. Carving out new ways of looking at things.
Well, I think baseball should be fun, but there's always a line. There's a fine line with everything. Where's the line between making it fun and making it disrespectful.
I'm not always hopeful about the future in general, but I'm definitely hopeful about the future of filmmaking and art.
I get a lot of responses to my movies. Some people say, 'Oh, I thought it was really funny - I hope that's okay!' And my answer always is 'Yes. It's totally okay.'
If the future's looking dark, We're the ones who have to shine. If there's no one in control, We're the ones who draw the line. Though we live in trying times, We're the ones who have to try. And we know that time has wings, So we're the ones who have to fly.
America is, is no longer, uh, what it, uh, could be, uh, what it was once was, uh, and I say to myself, uh, I don't want that future, uh, for my children.
My flag is always flying. My shingle is always out. I'm always looking for movie ideas. The hardest part of this whole movie-making endeavor is finding ideas. That's the real goal.
When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man.
I've always tried to live in the future and think about things and how to make things better. If you have great-grandchildren around, and their pictures are looking at you, well, that's the future.
The Very Big Stupid is a thing which breeds by eating The Future. Have you seen it? It sometimes disguises itself as a good-looking quarterly bottom line, derived by closing the R&D department.
Progress is not a straight line; the future is not a mere projection of trends in the present. Rather, it is revolutionary. It overturns the conventional wisdom of the present, which often conceals or ignores the clues to the future.
So it - we have one enduring, uh, idea that will always live on with the Smothers Brothers, that 'Mom always liked you best.' We're the universal, uh, feeling that every child, every sibling has had somewhere along the line. Or, 'Who did she like best?' And that became kind of a little mantra.