A Quote by Sandi Toksvig
I'm slightly obsessed with women's history, so I'd love to talk to Emily Dickinson or Louisa May Alcott.
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Some readers may be disturbed that I wrote 'The Secret Life of Emily Dickinson' in Emily's own voice. I wasn't trying to steal her thunder or her music. I simply wanted to imagine my way into the head and heart of Emily Dickinson.
The structure of 'March' was laid down for me before the first line was written, because my character has to exist within Louisa May Alcott's 'Little Women' plotline.
When I was young, I really identified with Little Women by Louisa May Alcott, particularly the character of Jo. The book was written at a time when there weren't as many options for women and girls as there are now. Jo really struggled with that. She wanted to write, to work, to help her family.
It wasn't until I was an adult reader that I began to fathom the influence of fairy tales on writers I was in love with over the years, from Louisa May Alcott to Bernard Malamud to John Cheever to Anne Frank to Joy Williams.
I have been in love with Emily Dickinson's poetry since I was 13, and, like an anonymous post on findagrave.com says, 'Dear Emily - I hope I have understood.' Emily's poems are sometimes difficult, often abstract, on occasion flippant, but her mind is inside them.
I was not really aware of the dystopian genre before I read 'The Handmaid's Tale.' Many poets as well, like John Donne and Emily Dickinson, would be the influences; I specialized in Emily Dickinson at university. Both of those poets have really interesting ways of looking at life and death.
Sappho and Emily Dickinson are the only woman geniuses in poetic history.
And I knew in my bones that Emily Dickinson wouldn't have written even one poem if she'd had two howling babies, a husband bent on jamming another one into her, a house to run, a garden to tend, three cows to milk, twenty chickens to feed, and four hired hands to cook for. I knew then why they didn't marry. Emily and Jane and Louisa. I knew and it scared me. I also knew what being lonely was and I didn't want to be lonely my whole life. I didn't want to give up on my words. I didn't want to choose one over the other. Mark Twain didn't have to. Charles Dickens didn't.
In spite of all the cultural restrictions, in spite of marital or political difficulties, a strong woman continues to create and makes the world go round, such as Abigail Adams and Alexandra Bergson, Harriet Scott, and Emily Dickinson all did. History is full of women creators in the arts, many of whom created under oppressive circumstances.
To judge by what my children are learning in school, you'd think American history was 75 percent slavery and 25 percent everything else (and that 25 percent includes a large dollop of imperialism, racism, sexism and homophobia, leaving little time for Lincoln, Edison, Clay, Holmes, Alcott, Dickinson, Adams, Longfellow or Fulton).
If American men are obsessed with money, American women are obsessed with weight. The men talk of gain, the women talk of loss, and I do not know which talk is the more boring.
I love Sylvia Plath and Anne Sexton. I also love more cerebral poets like H.D. and Emily Dickinson. My parents subscribed to a monthly poetry periodical, and as a teenager I was introduced to Denise Levertov, who was an influence.
Emily Dickinson did not like was one of the stated purposes of the college - to convert young women to the Christian cause, finding Christ as their personal savior. She was one of the students who were declared without hope.
I'm the Emily Dickinson of screenplays.
I have a little tiny Emily Dickinson so big that I carry in my pocket everywhere. And you just read three poems of Emily. She is so brave. She is so strong. She is such a sexy, passionate, little woman. I feel better.
I would like to sit down with Emily Dickinson, Virginia Woolf, PJ Harvey, and Bjork. That would be a good dinner in my mind. Strong women. I think I would enjoy that.
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