A Quote by Sandra Oh
People ask me what I'm writing. They think I'm Sandra Tsing Loh. Or they ask about stand-up. 'No, that's Margaret Cho.' I really think there is this kind of glomming, that they think we are somehow all the same person.
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People are always asking, "Is this person in front of me the same on the inside as he or she appears to be on the outside? Is there congruence between what's within that person and the words and actions I'm viewing and hearing externally?" Children ask that about their parents; students ask it about their teachers; parishioners ask it about their pastors and priests; employees ask it about their bosses; and in a democracy, citizens ask it about their political leaders.
[An article about Cho] started out, "Funny, sexy, zaftig Margaret Cho..." What is "zaftig?" Isn't that German for "big fat pig?" I guess I was lucky - "zaftig" is kind of a nice word. It could have been, "Funny, sexy, OBESE Margaret Cho."
Sometimes people ask me, 'You do stand-up?' I try explaining what I do, and I don't think they really get it. So: 'Yeah, I do stand-up.' I wish there was one word to express what I do - that way, I don't sound arrogant. Whenever I say I'm a performer, people think I'm a performance artist: 'She paints herself white and pretends to be a flower.'
Margaret Cho is definitely one of the people, like just watching or hearing her stand up back in the days when stand-up albums were pretty prolific. Seeing her in Carnegie Hall was pretty revolutionary for me to be like, 'Oh, this Asian person talking about her sexuality.'
Many people ask why a writer commits suicide. But I think that people who ask don't know the vanity and the nothingness of writing. I think it is very usual and natural for a writer to commit suicide, because in order to keep on writing he must be a very strong person.
You can ask me about my beliefs on things; that's cool. But I think to lump in and say, You follow this person, so then, wow, who are you?' Ask me who I am.
When people ask about the aspect of race in the work, they are looking for very simple or easy answers. Part of it is when you think other people are so different than yourself, you imagine that their thoughts aren't the same. When I think about thought, I think about how much there is that is common.
I think people don't really understand how much footballers are affected by the people in their lives. When we're interviewed, people always ask about managers and tactics and training, but they almost never ask about what's going on off the pitch, and to me, that's just as important to your career.
I feel like if you ask people, certain people will say that I'm a top receiver. But if you ask people to name their top receivers, they won't mention me. So that's where the disrespect is coming from. I don't think they say, 'Davante Adams sucks.' But they think that top five, they put the same celebrities in there every time.
I think sometimes it's sort of easier to be playing a role based on a real person because there's quite often a lot more information, you're not making it up, it's there in books, it's there in research form. But really the questions you ask about the character, and why people behave, and where they come, and how they've ended up in the places they've ended up are the same.
Kids ask me questions. You'd think after doing this for four years, I would have heard every single question anyone could think of to ask, but no, every time, they surprise me, they ask me something I never thought of before.
Lots of media people ask me what do you think of yoga in the gyms, and what do you think about this article and what do you think about that, and how about it's so commercial now. I say, look, whatever gets people turned on to it.
I never ask boys' opinions on clothes, ever. I really think, unless you think the guy has style, don't ask. So I only ask my girl friends. I don't trust guys' opinions on style!
I'm probably the wrong person to ask. My partner in much of this work [climate movement], who really came up with the divestment campaign with me, Naomi Klein, I think has written powerfully about this.
I think a lot of people, when they think about the house, they think of the print. But when people think about Emilio Pucci, I want them to think about this really, really hot girl, so my biggest job is to give her a face and an identity - and I do that by trying to associate that kind of print that people have in their minds with a kind of girl who is free-spirited, rebellious, a little bit rock 'n' roll, and who has a lot of energy, who is up.
I don't think it's something that people would ask a man. Some people make a huge deal out of the fact that I sing about drinking all the time, but I don't think of it as singing about drinking. It's singing about emotions, and sometimes that centers around drinking. To me, I'm writing about things that I'm going through that mean something to me, but some people just reduce it to: "She must drink all the time." But if a guy sings about that sort of thing, no one really looks twice.
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