A Quote by Sara Pascoe
When I was a child, I had an intense fear of going to prison. I wasn't on the run or anything - my crimes were small and they were all against fashion. But I had nightmares about accidentally killing someone, or being falsely accused.
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... as recently as the mid-1970s, the most well-respected criminologists were predicting that the prison system would soon fade away. Prison did not deter crime significantly, many experts concluded. Those who had meaningful economic and social opportunities were unlikely to commit crimes regardless of the penalty, while those who went to prison were far more likely to commit crimes again in the future.
We all had to pay, but not for the crimes we were accused of. There were other scores to settle.
There was a period of a few months, however, when I had a dreadful physical pain. I had just started writing a particular section of the novel and was initially worried that it would affect my work. I was woken by awful nightmares; I saw several doctors, tests were performed, nothing came of them, and the medics were mystified.It was two days after I finished writing the section that the penny dropped. The pain had suddenly disappeared and so too had the nightmares. I'd got things muddled. The pain and the nightmares were both psychosomatic.
I mean, the thing about Guns N' Roses was that it wasn't trying to attach itself to the '80s, or anything that had to do with the '80s. It's just who we were at that time. We were doing what we wanted to do. That had really nothing to do with anything around us, except for the simple fact that we were rebelling against that stuff.
One day a hummingbird flew in-- It fluttered against the window til I got it down where I could reach it with an open umbrella-- --When I had it in my hand it was so small I couldn't believe I had it--but I could feel the intense life--so intense and so tiny-- ...You were like the humming bird to me... And I am rather inclined to feel that you and I know the best part of one another without spending much time together-- --It is not that I fear the knowing-- It is that I am at this moment willing to let you be what you are to me--it is beautiful and pure and very intensely alive.
'The Story of Us' is about running into someone I had been in a relationship with at an awards show, and we were seated a few seats away from each other. I just wanted to say to him, 'Is this killing you? Because it's killing me.' But I didn't. Because I couldn't. Because we both had these silent shields up.
It seemed from the media that we were being told that all Haitians had AIDS. At the time, I had just come from Haiti. I was twelve years old, and the building I was living in had primarily Haitians. A lot of people got fired from their jobs. At school, sometimes in gym class, we'd be separated because teachers were worried about what would happen if we bled. So there was really this intense discrimination.
Every criminal-justice system has to find some kind of balance between protecting the rights of innocent people falsely accused of crimes and protecting the victims of crimes.
I had been fighting since 1998 and knowing that this was going to be my last fight – I was not going to leave any questions or anything out there as far as, ‘Could I have done anything different?’ I was going to give this everything I had. My last memories of being a fighter were going to be good ones.
As a child I was such an intense daydreamer; I could be so gone that I had to be smacked to come back. They were really worried that I had some kind of catatonia or something because I would go so far out. Because all I wanted to do was talk to god as a child.
I was watching the Danish version of 'The Killing' when I got the audition for 'The Fall,' and I loved it; it was so original. I approached 'The Fall' with that in mind. I'd no problem with the violence - it was very clear from the script how horrifying the crimes were and that had to be shown, without going to extremes.
When I went through what I was going through in prison, one of the things that was very distracting was the issue that it's a very dangerous environment. Moving through that process, I had to develop such an intense focus that I had to change my character and be someone else.
The censors were great. There's always back and forth. But it's 'Hostel 2', it's not 'Happy Feet 2'. Everybody knows what Hostel is and people that are going to see it are going for more of what they loved in the original. No one is accidentally going to walk into it, no parent is accidentally going to take their child, and we're not pretending what it is in the advertising. We're saying it's very violent, it's very scary and a continuation of the first one.
We were young, we were wild, we were restless
Had to go, had to fly, had to get away
Took a chance on that feelin'
We were lovin' blind borderline wreckless
We were livin' for the minute we were spinnin' in
Baby we were alot of things, but we weren't crazy
When I was about 13, I met the coolest, chicest young woman I had ever seen. She was a neighbor of mine who became a fashion designer and had a small design studio. She taught me so many things about style and fashion. I had always loved making things, so when she told me about her career in fashion, I knew I had found my path.
You talk about rowdy - in Oakland the players were on you. The refs were on you. The stands were on you. You had to talk back or you were a sissy; you'd get run out of the league. Afterward? Yeah, it was kind of a, uh, struggle to get out of the gym. Cops had to be everywhere. Which was lucky.
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