A Quote by Sarah Brightman

I was born in 1960, and space theory, especially in the last part of that time and going into the '70s, space was very relevant at that time. It was on television - all the experiments, the moon landings, everything like that.
When I started working at NASA and understanding what the capabilities really were of the space station and the space program, one of the biggest draws for me was the ability to do experiments in space. We can do a number of experiments where gravity is actually a variable.
It is time to kickstart a new U.S. space transportation industry and time to spread that industry into space itself, leveraging our space station legacy to ignite imaginations and entrepreneurship so that we can move farther out, back to the Moon, out to the asteroids, and on to Mars.
Adaption of the human body in space is not yet mastered. As soon as you hit space, you feel your body is going through a period of mutation. There's no blood in your head; you have a hard time swallowing. We're not born to naturally be in space.
My job in space will be to observe and write a journal. I am also going to be teaching a class for students on earth about life in space and on the space shuttle and conducting experiments.
I was born in 1960 and can still tell you the name of every astronaut from Mercury to Apollo. If I had a chance, I'd love to go into space on one of the privately developed space crafts.
But as Van casually directed the searchlight of backthought into that maze of the past where the mirror-lined narrow paths not only took different turns, but used different levels (as a mule-drawn cart passes under the arch of a viaduct along which a motor skims by), he found himself tackling, in still vague and idle fashion, the science that was to obsess his mature years - problems of space and time, space versus time, time-twisted space, space as time, time as space - and space breaking away from time, in the final tragic triumph of human cogitation: I am because I die.
There is something going on in time and space, and beyond time and space, which, whether we like it or not, spells duty.
Before 1915, space and time were thought of as a fixed arena in which events took place, but which was not affected by what happened in it. Space and time are now dynamic quantities... space and time not only affect but are also affected by everything that happens in the universe.
I remember the moon landings, and Apollo was the paradigm by which all progress was measured at that time. And I knew that creating a true space-faring civilization was both possible and practical. What I failed to realize was that the effort would fail due to bureaucratic inertia and political apathy.
I'd like to get shot into space. I'd like to potentially visit the moon. I don't know if I can do that in the next couple years, but I spent some time at the jet propulsion lab, looking out at the future of when a guy like me can do a little space travel.
Musing takes place in a kind of meadowlands of the imagination, a part of the imagination that has not yet been plowed, developed, or put to any immediately practical use…time spent there is not work time, yet without that time the mind becomes sterile, dull, domesticated. The fight for free space — for wilderness and public space — must be accompanied by a fight for free time to spend wandering in that space.
I was 8 when we landed on the moon. I was so into the space program as a kid. Eventually, I realized it was very unlikely that a Mexican kid in the early '70s was going to be an astronaut.
In space-time everything which for each of us constitutes the past, the present and the future is given en bloc...Each observer, as his time passes, discovers, so to speak, new slices of space-time which appear to him as successive aspects of the material world, though in reality the ensemble of events constituting space-time exist prior to his knowledge of them.
Dancing is surely the most basic and relevant of all forms of expression. Nothing else can so effectively give outward form to an inner experience. Poetry and music exist in time. Painting and architecture are a part of space. But only the dance lives at once in both space and time. In it the creator and the thing created, the artist and the expression, are one. Each participates completely in the other. There could be no better metaphor for an understanding of the mechanics of the cosmos.
Death is the great adventure beside which moon landings and space trips pale in insignificance.
In space-flight terms, six landings on the moon back in the Sixties and Seventies doesn't mean much.
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