A Quote by Sarah Cooper
Live comedy in a club, with an audience - it's hard to recreate that experience in a digital world. With Zoom, your face is there the whole time, and you feel like you have to always be on. You feel like you always have to be paying attention, and it can be exhausting.
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Very rarely I create things and feel like I don't want to recreate them in a live setting. It's a completely different world, but at the same time that's where I've always come from. Enjoying that give-and-take from a live audience, there's a large part of me that's looking forward to it, and creating that relationship again.
I don't personally feel comfortable performing in a comedy club, mainly because as an audience member, I've never enjoyed that experience. It feels a little bit theme-park-ish to me, in that it's a club whose product is comedy. I find that weird. It's like those specialty chocolate stores, where everything is chocolate. It's too specific. I like going somewhere that specializes in variety.
I feel like Zoom is not a part of Zoom anymore. Zoom belongs to the world now.
Playing live is very exhausting, which is partly why I feel so tired today. But I've always wanted to live like that. I'd rather feel the experience than to be sort of feeling something in between and dull and numb. I love feeling the highs and the lows, it makes life far more exciting.
My family's always been really funny. I feel like comedy's hard. I feel like it's so important.
I think as an over-protective parent of my songs: I always feel like none of them get enough attention. There are the ones that get attention on the radio, but that's one thing. You always feel like people are not quite hearing what it is that you think makes a song special, and that takes time, too.
Our subjective experience of time is highly variable. We all know that days can pass like weeks and months can feel like years, and that the opposite can be just as true: A month or year can zoom by in what feels like no time at all.
I always write with an audience in mind. If I feel that [connection] coming back at me then I feel like I'm doing my job. That's why people come to my music - for some emotional experience or a perspective, either on their own lives, or on the world that they're living in.
Not that anyone minds--no one's paying attention to the music. Most of them never really listen to music. Practically no one actually does. Even at concerts people pay good money for, instead of a three-dollar cover charge, they talk through the whole thing. I feel sorry for them, since none of them understand what it's like to have a song just get into your soul and become your whole world. They don't know what it's like when a song changes your life.
I think the one thing about the Zoom calls is unlike being in a room with people where you can look away or drift off, I feel like with Zoom, everyone's face is just dead center, head on, there is no drifting. It takes a lot of energy from me.
I'm always amazed that anyone is paying attention to anything that I do, you know what I mean? I feel like I'm constantly having conversations with people where they're saying, "I didn't know that you could be serious," and then other people are saying, "Oh, I didn't know that you could do comedy." And so I don't know if it really helped too much with this. I like to think that it does.
I've always said that I feel lucky to live in the era of social media and be a working model in this time. Back in the day, models were just another face. But social media has given people a voice and not just another face. Not only can you show the world your personality and stuff like that, but you can be a brand ambassador easily.
I'm thirty-six years old and I've been married once and he left and I don't want to feel this way anymore. Like I can't be vulnerable. Can't relax. It's exhausting, always being on the defensive, keeping my guard up. I feel like Cuba.
It's cool because I think 'Ex Machina' is a little bit under the radar, which is always when I do my best work - when I feel like no one's paying attention.
But for a song like 'Paprika,' I typically feel like I need to experience anguish a lot of the time to feel like I've put in enough hard work.
Digital time does not flow; it flicks. Like any binary, discrete decision, it is either here or there. In contrast to our experience of the passing of time, digital time is always in the now, or in no time. It is still. Poised.
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