A Quote by Sarah Hall

You are often asked to explain your work, as if the reader isn't able to work it out. And people always try and label you by your work. — © Sarah Hall
You are often asked to explain your work, as if the reader isn't able to work it out. And people always try and label you by your work.
One set of circumstances does not complete you. Maybe nothing ever does. So you work on your life and you work on your 'work' and you try to live every single day like it's your last. And you try to be better, to yourself and to others. I don't always succeed. But I try and it's my goal.
Writing is work. It takes a lot of contemplation, concentration, and out-and-out sweat. People tend to romanticize it, that somehow your work appears by benefit of some mystical external force. In reality, to be a writer, you have to sit down and write. It's work, and often it's hard work.
If you try and work out at 4:30 in the afternoon, how many people are going to chip away at that time? Your boss, your job, your work, your family, your other obligations that you might have. At 4:30 in the morning, all those people are asleep, so you can do whatever you want.
When I'm asked about my work, I try to explain that there is no mystery involved. It is work. But things happen all the time that are unexpected, uncontrolled, unexplainable, even magical. The work prepares you for that moment. Suddenly the clouds roll in and the soft light you longed for appears.
Sometimes you meet people that try to explain to you your work, and how to write a song and how to sing it, and they explain that you are doing it the wrong way. And yeah, it's always super frustrating.
There are words that work, that are meant to explain and educate on policies that work, on products that work, on services that work. I'm not going to ever try to sell a lemon. I don't do that.
Let's see... Rihanna! Work, work, work, work, work, work; OK, what? How much work does it take to move your behind, honey? I don't understand the job situation you're going through.
Yeah, it can be dangerous to kind of try and target your art to a certain type of people! You don't know who's going to gravitate towards your work, you never know what people are going get out of the work. So I try and just create music that feels true to my taste, and then see what happens.
The only thing that does change, to some degree, is [that] you have some life experiences, you suffer a certain amount and you incorporate that into your work. Not in the content of your work, but in the sensibility of your work. It's nothing that you try and do; it just happens. And if you're lucky, people buy tickets to see it, and if you're not lucky, [then] they don't like it. But that's all.
God is at work in all the circumstances of your life to bring out the good for you, even if you had never heard of Romans 8:28. His work is not dependent upon your faith. But the comfort and joy that statement is intended to give you is dependent upon your believing it, upon your trusting in Him who is at work, even though you cannot see the outcome of that work.
Hurl yourself at goals above your head and bear the lacerations that come when you slip and make a fool of yourself. Try always, as long as you have breath in your body, to take the hard way–and work, work, work to build yourself into a rich, continually evolving entity.
Being able to make work - if it's on your terms, and it's a good fit with the people who are supporting it - can be a very interesting exercise. When it doesn't work is when an artist just connects with a brand, and they try to take advantage of each other.
Work Does Not Need You, You Need Work. Through Work, Destiny Unfolds. Your work is to discover your work and then with all your heart give yourself to it.
You only live once. Trying to do the right thing for other people often doesn't work out, and you have to follow your own path in order to make things work out best for everyone.
Taking dishes straight off the restaurant's menu and putting them into a cookbook doesn't work, because as a chef you have your own vision of what your food is, but you can't always explain it. Or you can't pick recipes that best illustrate who and where you are and what you're doing. And if the recipes don't work, you don't have a book.
I remember, in my first show in New York, they asked, 'Where is the Indian-ness in your work?'... Now, the same people, after having watched the body of my work, say, 'There is too much Indian philosophy in your work.' They're looking for a superficial skin-level Indian-ness, which I'm not about.
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