A Quote by Sarah Paulson
I work in the '60s more than I've done anything else. I did a movie, called Down with Love, in the '60s. I did a movie for HBO, about the Johnson administration in the '60s.
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I work in the '60s more than I've done anything else. I did a movie, called 'Down with Love', in the '60s. I did a movie for HBO about the Johnson administration in the '60s.
I lived in France during the '60s. I was there from the early '60s until 1970, so my view of the '60s is more global. It was a time of tremendous transition, not only for America but for the whole world.
The '60s is one of my favourite eras in general. I love '60s music, and I've always wanted to do a period film.
We love being in business with Guillermo [Del Toro]and frankly that movie, if you look it up, did I think more business than the first X-Men, did more than Batman Begins, our first movie, did more than Superman Returns, The Fast and the Furious, Star Trek- so for a movie that was an original property that we made up it's done really well.
I did some research into what was going on in terms of the sexual revolution that was happening in the '60s in the gay community and particularly in the drag world. Before the '60s, guys doing drag would dress like their mothers or iconic Hollywood actresses.
I think, at first blush, the '60s always enticed me. There's something about the '60s, it's not hard to like it.
To my surprise, my 70s are nicer than my 60s and my 60s than my 50s, and I wouldn't wish my teens and 20s on my enemies.
My number one horror movie is the '60s British version of 'Ten Little Indians.' This movie scared me to death when I was a kid - I still dream about it.
I put in all the dirty words. It works really well. The thing that we found with 'Drive Angry,' more than anything else is that we wrote the movie that we wanted to see. I've done that before. I've wanted to see 'Jason X'. It did not become the movie that I thought it would be. That happens. It's happened with every movie I've ever done.
I was born in 1948, so I'm a '60s kid, and in the '60s everyone talked all the time, endlessly, about socialism versus capitalism, about political choices, ideology, Marxism, revolution, 'the system' and so on.
It [TV] is the cancer of film. It's why people can't be educated to film. In the late '60s, we expected to see a movie or two every week and be stimulated, excited and inspired. And we did. Every week after week. Antonioni, Goddard, Truffaut - this endless list of people. And then comes television and home video. I know how to work exactly for the big screen, but it doesn't matter what I think about the art of movie-making versus TV.
To talk about the '60s almost brings tears to my eyes. What we did. What we all did. We changed the world.
When I was a kid, for me, the '60s seemed so far away. But I was actually born in the late '60s.
North American leftists just keep trying to relive the '60s, or to make the '60s happen again.
The cult of celebrity in the '60s and '70s was really more reserved for movie stars or high socialites. Paparazzi didn't care about Janis Joplin.
We spent six weeks there [in Vegas]. The only thing crazy that I did was shoot that movie [The Hangovers]. The stuff in that movie is way crazier than anything I might have done, drunk one night in Vegas. I mean we did it for real in the movie, so that's as crazy as it got.
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