A Quote by Sarah Paulson
I'm one of those actors who's just standing there, waiting and ready for something to come my way. I don't really try to think about, "Oh, I feel the next thing I should do should be a feature. Now, I think I should do a play." I just hope someone wants to cast me in something.
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Being able to influence the outcome, being able to do something about it, to be able to stop the bleeding. You're not being useful if you're just standing there going "Oh, that's awful!" You're only useful if you actually do something about it and I think that goes for everything. If you actually do something about what's in front of you, then you are actually contributing and you haven't got time to be self-centred or sorry for yourself. You should be doing something about the person you really should feel sorry for.
I really feel that actors should really know who they are as characters; they should really study their lines; they should be prepared; but once they come to set, for me the most exciting way to shoot a scene is to really find it, really kind of grind your way through it, until you feel like you have something that you can put together.
It's a shame how a lot of actors use theater as a stepping stone to film and television work; I think it shouldn't be treated that way. Maybe it's narcissism or something. I think we should always go back to it. I try and do a play a year, and I think that's really helped me.
I don't think writers should be convenient examples. I don't think we should make people feel settled. I don't try to be a gadfly, but I do think that real ideas are troublesome. There should be something about my work that leaves the reader unsettled. I intend that.
I don't get competitive, really. So I don't know. If I'm excited about something, hopefully someone will think, "Oh right, you should do this." And that's great. I'm not being very articulate about this. I just don't want to do stuff if I'm going to feel bummed out and uninspired.
We play the whole summer. I do think guys should be compensated. Just like I think college players should be compensated as well. Unfortunately, it's not there. But I think it should be something, you know, there for it.
I don't think bands should feel compelled to speak out unless they actually have something to say. I think that's a big mistake, where you're turning into a coyote running off the edge of a cliff. Too often, people just feel like something is happening and they want to be part of this thing, and it's just, there's sort of a "me too!" and that's about it.
I think, in general, straight actors should be able to play queer roles just as much as queer actors should be able to play straight roles. I think the reason why the debate is there is because we haven't had enough queer actors being cast in anything. People are in need of that representation in general.
I really like individualism based on truth. That's something I try to think about. What do I actually think about that, what do I actually feel right now? As opposed what should I feel.
I just think this whole thing about not wearing anything twice, I just don't understand it. I think things should be worn. You should bond with your clothing. It should be yours.
We are all the time, from our childhood, trying to lay the blame upon something outside ourselves. We are always standing up to set right other people, and not ourselves. If we are miserable, we say, "Oh, the world is a devil's world." We curse others and say, "What infatuated fools!" But why should we be in such a world, if we really are so good? If this is a devil's world, we must be devils also; why else should we be here? "Oh, the people of the world are so selfish!" True enough; but why should we be found in that company, if we be better? Just think of that.
I don't think all films should necessarily look like they do on digital video. I think it cheats the audience, at some point. If you try to make an epic and you shoot it digitally, that doesn't make much sense. I think there's a certain kind of film that could be a "digital film." But it shouldn't be interchangeable with other films. It should be something more than just a capture medium. It should be a different form altogether, something new.
To go too much another way, for the sake of my ego in wanting to create something... in the situation of Superman is just wrong. Especially since we're continuing, in a sense, that story. The characters have to feel somewhat similar. What are you going to do with Superman? The world, and all the people that have created it, created him and have all kind of come together to make this image. Everybody kind of has the same idea of what it should be. So for me to go, "Okay, no, I think he should have a southern accent." Or something crazy, just doesn't make any sense.
The only thing I can say that is not bullshit is that you do have to learn to write in a way that you would learn to play the violin. Everybody seems to think that you should be able to turn on the faucet one day and out will come the novel. I think for most people it's just practice, practice, practice, that sense of just learning your instrument until - when you have an idea on the violin, you don't have to translate it into violin-speak anymore - the language is your own. It's not something you can think your way into, or outsmart. you've just got to do it.
If you walk by something that I've done and you like it then I don't think I did what I was supposed to do. It should hit, it should either make you feel uncomfortable, or it should make you feel great, as long as it makes you feel something.
[Sometimes] I will go through periods where I will think 'Oh maybe I should do a commercial movie' and then I just think, someone gave me a really great piece of advice, someone from my agency weirdly, they said the only clients that are happy are the ones that just do what they want to do. So I just kind of do everything for myself.
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