A Quote by Saul Alinsky

A tactic that drags on too long becomes a drag. — © Saul Alinsky
A tactic that drags on too long becomes a drag.
The inspiration of my drag is the history of drag, the long tradition of drag queens being at the forefront of queer activism. That informs my drag style, and in a sense, that is the direction we need to go in the future.
I do drag. Just because my drag is not the drag of Creme Fatale or Holy McGrail doesn't mean it's less drag. I perform live; I just sing with dancers. It's drag on a different level.
I'm always trying to get to a danger point in color, where color either becomes too sweet or it becomes too harsh, it becomes too noisy or too quiet, and at that point I still want the picture to be strong, forceful, and the carrier of everything that a painting has to have: contrast, drama, austerity.
The fear tactic is a tactic that's used by people who want to maintain control, and it's very effective.
'Drag Race' doesn't claim to represent drag as a whole. 'Drag Race' is a reality show. If you see real drag shows, we just do drag and respect each other's art and who your real identity is - name, gender, hair color, anything.
Civil disobedience is a viable political tactic, and a non-violent tactic.
When spiritual seeking becomes too complicated, its exercies too elaborated, its doctrines too esoteric, it becomes also too artificial and the resulting achievements too fabricated. It is the beginners and intermediates who carry this heavy and unnecessary burden, who involve themselves to the point of becoming neurotics.
Among other things, drag queens are living testimony to the way women used to want to be, the way some people still want them to be, and the way some women still actually want to be. Drags are ambulatory archives of ideal moviestar womanhood. They perform a documentary service, usually consecrating their lives to keeping the glittering alternative alive and available for (not-too-close) inspection.
Terror is a tactic. We can not wage "war" against a tactic.
People pull from drag culture because drag artists are - it's the ultimate art form and it's the last underdog art form. I mean, even clowns have college, you know what I mean? Drag queens, you have to learn drag from another drag queen.
She takes another long haul, lets the smoke settle in her lungs-- she has heard somewhere that cigarettes are good for grief. One long drag and you forget how to cry. The body too busy dealing with the poison.
He who fights too long against dragons becomes a dragon himself; and if you gaze too long into the abyss, the abyss will gaze into you.
Every relationship I've been in becomes long-distance because of work. It's never worked out. It puts an intense strain on the relationship, and at a certain point, it becomes too difficult.
Drag is involved with changing identities and not taking identities too seriously at all. That's why drag is such a hard sell to a network - or anyone, really - because it's up against the ego.
The tactic of leading people into... a war that doesn't make any sense by telling them they are under attack, and if they raise any objection they're unpatriotic, is a very old tactic. And it doesn't intimidate me.
I organized tax resistance in 1965, with a friend. I kept at it for about ten years. I don't see it as a principle, it's a tactic. And I felt I had exhausted its potential as a tactic right about then, so I stopped.
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