A Quote by Dick Wolf

The threat to free television. The reason television is free is because it is a life support system for commercials. That fundamental aspect is about to change. — © Dick Wolf
The threat to free television. The reason television is free is because it is a life support system for commercials. That fundamental aspect is about to change.
I grew up with free television. Now, it wasn't free, there was these commercials, and so the economic model was driven through commercials and through advertising.
Warner Bros. got into television very early, so I did a lot of television there. In the beginning, it was sort of okay to do television. But then it became this thing where movie actors didn't do television - they certainly didn't do commercials, because that just meant the end of your career.
Democracy means free television, not good television, but free.
I think the challenge in hour television or half-hour television is that the more it's around, certainly on commercial television, the less time you have to tell stories these days, because the more commercials they're putting in.
Everyone asks me how to get into television. Ultimately, you have to work for free for years. As much as we enthuse about diversity, we are never going to be truly diverse because the system means only a certain section of society can do that.
Once you have some sort of reputation in the outside world, they will try to woo you. They will say, "Won't you come and be on a talk program about books? That's not political." Then they can say to the outside world, "See how free it is, she appears on television. See how free it is." So I refused to have anything of mine read or dramatized on South African television.
The Bush campaign for re-election has officially begun. They're actually running television commercials. Have you seen any of the television commercials? In one of the commercials, you see George Bush for thirty seconds. In another commercial, you get to see George Bush for sixty seconds - kind of like his stint in the National Guard.
And as a character, what I found very inspiring about playing Dharma, especially at that time, is that the women on television were more neurotic than they were free. And I thought, this is a rare bird and this is unique on television and I think it's really refreshing.
When you watch television, you never see people watching television. We love television because it brings us a world in which television does not exist.
The single aim of my life is that every child is: free to be a child, free to grow and develop, free to eat, sleep, see daylight, free to laugh and cry, free to play, free to learn, free to go to school, and above all, free to dream.
The desire to keep television out of our son's life was one of the few parenting priorities my husband and I agreed on from the beginning. We debated the pros and cons of co-sleeping, of pacifiers, of chemical-free crib mattresses and baby sign language. The television question, on the other hand, was a no-brainer.
It [the internet] should be publicly controlled but Washington is not a system of public control, it's mainly a system of corporate control. We ought to have a free internet, but that means having a free society, and there is fundamental questions there.
Every system tries to get people to conform to support that system. That goes for communism, socialism, free enterprise, or any other civilization. If they don't demand loyalty, they can't keep their civilization together. So what they do is they teach things that would support an established system. We do not advocate an established system. TVP talks of an emergent system into state of change. So that we always prepare people for the next changes coming ahead. So that people will not cling to the past.
Maybe the reason some folks lag behind in our free enterprise system is because they depend too much on the free part and not enough on their own enterprise.
It's a fundamental aspect of the free enterprise system and economics: If there's no penalty associated with increased costs, why not lay on increased costs?
The poet must be free to love or hate as the spirit moves him, free to change, free to be a chameleon, free to be an enfant terrible. He must above all never worry about this effect on other people.
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