A Quote by Scott Adsit
I think the longer a sitcom is on the air, by necessity, the dumber the characters have to get: otherwise, they would be learning and growing, and they won't be funny, so they have to get more and more extremely whatever they are.
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The advantage you get of something having been on the air for a while is people get to know the characters more, and they get to be more invested in the world.
I really loved making my mom laugh, and I knew that she thought that I was funny. It was really valuable, in my home growing up, to be able to have a chat and participate in a conversation and be funny. Whatever I could do to make my mom laugh could either get me out of trouble or just get me more attention or get me respect in the house.
What's funny is I still, more than anything, get recognized for 'The Mighty Ducks.' I love it. When I was younger, I would get embarrassed. I played sports growing up, and I'd be playing baseball, and the other team would be quacking at me and stuff.
I think sometimes people become quite emotional about the characters as well, and that's pretty cool that you can get that emotion out of people. And I think that's more my motivation than like, "Hey I want to be the funny guy, I want to be that famous funny guy." That doesn't sit as well with me as the idea of taking people on this ride and taking them into the illusion of the characters. That's much more exciting for me.
There's something extremely rewarding about following characters that you like and knowing that there's as many hours of viewing as you have the appetite for. You can tell more complex stories; you can create more complex characters in the longer form.
The funny thing is more money doesn't necessarily get you what you think it's going to get you and the way where it does get you more value on screen.
I'm ridiculously fortunate to get a chance to experience the sitcom world. The schedule is extremely easy, and you get fed as an artist because you're not only working on a project, but you get to work with cameras, and you get the audience there.
Im ridiculously fortunate to get a chance to experience the sitcom world. The schedule is extremely easy, and you get fed as an artist because youre not only working on a project, but you get to work with cameras, and you get the audience there.
I think that comes with a collaboration with the writers. I think that we get cast in edgier roles because we are a little more offbeat, so people - as we get to know the writers, and as the writers get to know us, they start to write around us more, and that's why I think the pilot is not always the best way to get to experience a new television show, because we're fitting ourselves into these characters. Whereas as the show evolves, they're writing the characters for us and for our strengths and weaknesses.
The thing about being an actor is that as we get older, there are more and more characters to explore and, in general, they get more complicated, so you get to bring all your crazy life experience to the table.
Making a success in show business is like getting a big promotion on a job. You get more prestige, more authority, more money - and you also get longer hours, more work, and more responsibility. It evens out.
I think we think that American books are funny or they're serious literature. But humor is subversive. When you add an element of absurdism, you can get away with more, work in dark, daring questions you might not have written toward otherwise.
If I would get an album out every eight months and if I would write songs that were more up-tempo and try to focus more on making singles, then I could probably get more attention. But I don't think the albums would be very fun to listen to, and it would be a drag for me.
I think kids slowly begin to realize that what they're learning relates to other things they know. Then learning starts to get more and more exciting
I think kids slowly begin to realize that what they're learning relates to other things they know. Then learning starts to get more and more exciting.
I would always choose the script. You get more creative control that way. But, when you're in a situation like this, where everyone is really funny and you really want to do it, that's the chance of a lifetime, so you want to do it. But, a script has longer legs than a performance and, in the end, is more satisfying. It's harder, but it's more satisfying.
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