A Quote by Scott Aukerman
What I love about comedy is breaking down the barrier between the audience and the performer.
Related Quotes
The way that music is approached in the temple is very call and response; it breaks down that barrier between performer and audience.
When you talk about the exchange of energy between performer and audience and audience and performer, I hope that I'm one of the best.
As a solo performer, it's total involvement. What I do is to break down the wall between audience and performer.
What was so interesting about the glam era was that it was about bisexuality and breaking down the boundaries between gays and straights, breaking down the boundaries between masculinity and femininity with this androgyny thing.
Lectins bind to receptors on the surface of each cell lining the gut, breaking down the tight junctions that normally make an impenetrable barrier between the intestinal contents including bacteria and ourselves.
In most specials, the performer's up - not only not surrounded, but up on a stage - and there's a distance between them and the audience, and I think my comedy doesn't work as well in that way.
There's a very interesting article or symposium to be written on just the real difference between comedy filmmaking and non-comedy. Because, you know, when you work in comedy, you depend on audience screenings to tell you about your movie.
The audience loves to figure things out. They love it when a performer leaves a trail of bread crumbs for them, and they get to participate in the comedy.
Immediate, simultaneous connection between the audience and a performer is crucial to me. It's why I do what I do. Other things, like recording, are satisfying, but they're not the same. I love the connection I get with the audience when I'm sitting behind that piano.
I trained to be a theatre actor, I love the live gig, the transference between an audience and a performer.
The great thing with comedy is that I don't memorize ahead of time like I did on 'Breaking Bad.' With 'Breaking Bad,' I wanted to know those words inside and out, really have my lines down so I could say them verbatim. But with comedy, you keep it a lot more loose.
At heart, I guess I'm a saloon singer because there's a greater intimacy between performer and audience in a nightclub. Then again, I love the excitement of appearing before a big concert audience. Let's just say that the place isn't important, as long as everybody has a good time.
What I love most about playing in front of people has something to do with a certain kind of energy exchange. The attention and appreciation of my audience feeds back into my playing. It really seems as if there is a true and equal give and take between performer and listener, making me aware of how much I depend on my audience. And since the audience is different every night, the music being played will differ too. Every space I performed in has its own magic and spirit.
If it's total freedom, I guess the ultimate thing you can go into is total silence between the audience and performer, with the performer projecting something he doesn't even have to play.
For an economic recovery program to be effective, it must not only create a short-term economic boost but also generate lasting value. Home Star would accomplish that by breaking down the key barrier between homeowners and money-saving retrofits: upfront costs.
The line between inner and outer landscapes is breaking down. Earthquakes can result from seismic upheavals within the human mind. The whole random universe of the industrial age is breaking down into cryptic fragments.
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