A Quote by Scott Cohen

Once you become a producer, you're really selling something. It is a control issue, because you don't really know how it's going to pan out, but the creative control makes it work it.
As an actor, you are sort of only in charge of yourself. All you can really control is your performance. You don't know what they're going to do with it in the editing room, what they're going to cut out, which take they're going to use. You know, your control is very limited. As a director, it's ultimately your piece. You have a lot more responsibility, but you also have a lot more creative control. It's scary, but also liberating in a way.
Love makes everybody a victim because it's something you can't control. You can't control how you feel or what you're going through when you're doing it.
The scheduling thing is really weird with TV shows. Certain projects haven't been able to work out because of the schedule, so some of it is out of your control. You don't have very many opportunities. There isn't much time, so you want to make sure you're going to be doing something that you really feel good about or that you're going to have a good creative experience doing. You're taking up vacation time from your job, so you want it to be meaningful.
I started producing out of necessity. It's not that I want to become a full time producer, but it gives me control over my creative life.
You can't really control how people are going to feel about you; all you can really do is be yourself. Because if you seduce somebody, and you seduce them by pretending to be a certain way, once they are seduced they are going to find that you are not that way. And then you have to maintain an image that's not real, so you really screw yourself. The best is to be yourself and hope they like you.
When my first book came out, it was very disorienting. My health went south. I didn't know how to relate to people. I thought, "Now I have this way to be in the world that's going to be wonderful. It'll be like driving a great car, really streamlined." But it actually was difficult because, if you have a public persona, something you don't fully have control over, it's more like being in a car with controls you don't really understand.
The idea of being in control for the sake of control, is not really important to me. If everyone is sharp and doing, you know, what they're doing well, you don't really need to be in control all the time.
Now, there is something else interesting here, is this thing called self-determinism and pan-determinism. We have found that there is something stands as a barrier between the ability of a person to be self-determined and the condition he is in, and that is willingness to be controlled. As long as a person will resist control, then everything that comes along which threatens to control him can do so; and thus you have aberration. And until he has a total tolerance of control, he cannot be self-determined or pan-determined.
I'm quite surprised at how out of control I can be on stage because, actually, I find I like to be in control in life. It's quite freeing, really.
You work so hard at something to make sure that it's very pure and very genuine and very steadfast to who you are, so creative control for me is a big one. Thankfully, I've been able to retain 98% of it which I never really expected, so I'm very grateful to be able to control what I can.
I'm not a deeply religious person and I don't really know if there's a God or not and I don't really even care, but something out there has got to control something. Because people can put a gun in their mouth and pull the trigger and live and someone else can slip on the curb and die.
Fame will take care of itself. One thing I've learned about fame is that, hey, you can't control it. You don't know how you're going to be received or perceived when you step out of a car, when you arrive some place. And you never really know how big something is going to get, so you have to set some standards for yourself, and just abide by those.
There's only one thing that all of the central banks control and that is the base, their own liability, and they can control that in various ways. They can control it directly by open market operations, buying and selling government securities or other assets, for example, buying and selling gold, or they can control it indirectly by altering the rate at which banks lend to one another.
You can't control everything. You can't control how someone feels about you. Or what makes them tick. You can only control how you react, how you act, how you think and feel.
There's only certain things you can control. I know how hard I work, I know how I take care of myself, and those are the two things I can control. As far as injuries and wear and tear and stuff like that, it's going to happen.
With Lady Gaga I really stretched myself as a creative director, and because I was with this artist from before she got signed I was able to really take control of the opportunity and execute as a creative director.
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