A Quote by Scott Moir

What our generation hopefully is doing is not believing in that so-called bad luck that Canada has with figure skating at the Olympics. — © Scott Moir
What our generation hopefully is doing is not believing in that so-called bad luck that Canada has with figure skating at the Olympics.
I grew up figure skating, and in figure skating there is only a handful of black people at the time figure skating with me.
With 'Fantasy Factory,' I want to take skating beyond the Tony Hawk generation and represent the street-skating generation.
Male figure skating is different than female figure skating; we're not America's sweetheart.
I am an American man, and in America, we still think of figure skaters as little girls in pretty, sparkly dresses - I worked very hard to change the perception and image of figure skating, and I think I've done a great job on my end, but in figure skating, taste needs to evolve.
I am proud to be a first-generation Chinese-American in the sport of figure skating.
In Japan, skating is like NHL hockey in Canada or baseball in the U.S., so pushing the limit is very enticing. Skating is their lives.
I'm excited to watch slope style and halfpipe. And then, of course, when my events are done, I get to go to hockey, which is always entertaining. I also like figure skating. I think every girl grew up watching figure skating.
Kids don't know the language of figure skating. If you ask them to do a compulsory figure, they don't know how to, and that's so important for the edge quality. I think that's why the older skaters are still as popular as they are - because they have that quality that people are missing in this generation.
My skating brought me to a level of being well known in Canada, but I've grown up having trained in the U.S. I haven't lost my roots in Canada thanks to the little rpminders again when I come home: People thanking me for what I do and for representing Canada in the world stage.
We come from a rich history of amazing sports and athletes here in Canada and there's been a long legacy before us that helped pave the way. And that's why I grew up believing I could go to the Olympics and stand on the podium one day.
There was no such thing as luck. Luck was a word idiots used to explain the consequences of their own rashness, and selfishness, and stupidity. More often than not bad luck meant bad plans.
Largely, I began skating because I wanted stuff to do outside of school. My mom decided to put me into figure skating.
One of my friends called me up and said kids in our village are playing hockey with PVC pipes. This is the change I wanted to see. Hopefully, we will be able to inspire the next generation.
Figure skating is theatrical, and a part of it is wearing costumes. My costumes were very over-the-top and outrageous for figure skating. But for me, it's all beautiful. Even when nobody else believed they were beautiful, I felt beautiful in them.
All of us have bad luck and good luck. The man who persists through the bad luck - who keeps right on going - is the man who is there when the good luck comes - and is ready to receive it.
The biggest possible thing that we're trying to do is change the conversation about what it means to be a working artist today, and hopefully, as the generation of performers that is training and listening to our show at the same time comes up, and becomes a working generation of performers listening to our show-hopefully that's going to change some of the ways they're looking at the hierarchy of theatre and start to blur those lines a bit more.
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