A Quote by Scott Storch
The touring life wasn't for me. I like to wake up in the same place most days. And I'm really into sitting behind a mixing console and listening to music all night and making music all night. I'm a studio rat.
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What I really love is touring on a bus with my band playing shows every night and feeling the audience, feeling the presence of people actually listening to my music. Feeding my soul is what touring feels like for me and I absolutely refuse to have a bad time doing something I really, really love.
I find myself more affected by music the more I do it. Particularly when you're touring and you're in the bus and you're listening to loads of music. Life becomes far more dramatic, I guess - you're never in the same place, you're constantly meeting new people. You almost become more sensitized to music.
I find myself more affected by music the more I do it. Particularly when you're touring, and you're in the bus, and you're listening to loads of music. Life becomes far more dramatic, I guess - you're never in the same place; you're constantly meeting new people. You almost become more sensitized to music.
Besides my son, music is the most important thing to me. I always have music on in my car and playing at house, and I'm in the studio or performing every night. I like Beats by Dre for headphones, and Bang & Olufsen soundsystems.
After touring the first album, we went into the studio and started making music that was influenced by all the freaky folk music we'd been listening to. Lots of Canterbury scene stuff from the 1960s and '70s. Robert Wyatt, Soft Machine, Caravan, Gong.
There is a beauty to touring - to be honest, there's a way that music connects and you really feel the actual reaction of people to the music that you're making, and I feel like if I didn't do that I just wouldn't know, and I don't think my music would be the same.
I love making music, and I love touring. I love that I get to wake up and play music. I don't like being away from my wife and kids.
I don't think my life would be significantly poorer if I don't impersonate Nick Clegg. Life is short enough without sitting up night after night listening to tapes of him.
The only place where any artist feels liberated is doing independent music. I have had great experience making music for The Dewarists and Coke Studio. No actor, producer or label is telling me what to do with my music. I'm the boss. It is my life, my expression.
People around me are always an inspiration due to their love of the music and they help me to generate ideas for music. But it's really the passion and drive I have for my music that keeps me connected. I recorded my first song in the studio at 8 years old and I've taken it seriously since then. Making music is fun to me so I aim to translate those feelings into the music.
I make my music at night when there's no noise... Just me, my headphones and the silence. But I'm always making music in my head. It's like a non-stop radio!
Jazz goes into folk music, into rock music. Jazz is in practically everything except classical music where they're reading the same music all the time, the same way, the same tempo every night.
There's a lot going on music-wise in L.A. It's a wicked place to wake up, there's sunshine, you go to the studio, see all these really talented producers.
I could come home, and I would spend the rest of the night just lying on the floor or the sofa listening to albums. It was like a movie to me. I still do, really, and doing the radio show ensures that I'll be sitting there listening.
And what does the rain say at night in a small town, what does the rain have to say? Who walks beneath dripping melancholy branches listening to the rain? Who is there in the rain’s million-needled blurring splash, listening to the grave music of the rain at night, September rain, September rain, so dark and soft? Who is there listening to steady level roaring rain all around, brooding and listening and waiting, in the rain-washed, rain-twinkled dark of night?
I really don't work a whole lot as far as touring, but I do stand-up every night of my life, no matter where I am. It's really made the touring a lot less grueling. A lot of people get to this level and they're like, Now I do four cities in one week and they tour nonstop. I'm like, No, that sounds miserable. I'll just do two weekends a month. But whenever I'm in some awful place geographically, it's no longer that awful, because you've got the Internet and television.
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