I think the thing about cooking from tins for me that I really enjoyed was... the convenience of it, the slight entertainment side of it. Just the surprise of being able to crack open a couple of tins, pour them into a pan, and 15 minutes later you've got a fantastic dinner on the table.
My own novel, 'The Silver Bough,' about the inhabitants of a remote town at risk of being overwhelmed by Scotland's mythological past, was once criticised by a disgruntled fan as 'fantasy for people who don't read fantasy.'
There has been a lot of bad fantasy in the past - I'm by no means saying that all classic fantasy out there is bad - but there has been a lot of bad fantasy written by people who read a lot of fantasy and so all they keep doing is recycling it.
Up in the north of Scotland, a lot of the villages are completely Viking names. A lot of Vikings came down and settled in Scotland and in Ireland. And a lot of them didn't, but they took plenty of us with them - mostly the chicks.
Fantasy for me as a kid was real, and I had a fantasy about what life was, whether it was sort of wicked and dire, or wholly normal, or whatever. Anything really close to home is not, it seems to me, what a good book should be about.
The Clash had a unique, special relationship with Scotland. Perhaps it was something to do with the energy, anger and beauty in their music. In Scotland at that time, there was a lot of to be angry about. And a great need of some energy and beauty.
The thing about fantasy - there are certain things you just don't do in fantasy.
I have no time for those who say there is no way Scotland could go it alone. I know first-hand the contribution Scotland and Scots make to Britain's success - so for me there's no question about whether Scotland could be an independent nation.
Fantasy is a genre that allows me to create anything I want. That, in turn, allows me to explore any sort of idea I'm curious about. I love it because Fantasy is a genre that asks, "What if...?" That's my favorite question.
I didn't have a lot of experience with adult fantasy. And that's sort of what intersected with me and 'The Witcher.'
I've lived all over Europe, spent a lot of time in London, went to school in Scotland, college in America, so I do think I have sort of a sensibility on a fairly global level.
Fantasy gets a mixed reception - a lot of fantasy is formulaic but most of the award-winning fantasy on the contrary tends to be the stuff at the edges of the genre, rather than swimming in the middle.
I'm from Scotland, one of four daughters, and we grew up moving every few years between Scotland, Portugal, Colombia and Scotland again.
Scotland is not a region of the U.K.; Scotland is a nation, and if we cannot protect our interests within a U.K. that is going to be changing fundamentally, then that right of Scotland to consider the options of independence has to be there.
I had a fantasy that i'd drift up to Scotland and spend my life as a faux bodhisattua.
All the actors I respect, especially old-Hollywood actors, the reason I think so many of them have had long careers is that there is a sort of mystery about them. You don't know what they do on Friday nights when they go home from work. You have no clue. You have this sort of fantasy about them.