A Quote by Sean Lennon

My tendency is to be very experimental. — © Sean Lennon
My tendency is to be very experimental.
I love to read and teach experimental fiction but yes, neither this work nor my first novel is really that experimental. It uses some experimental techniques but in the end, I would not say that it is experimental. I'm not sure why. I do a lot of writing on my own, and I have always just written this way.
When I went to university in Colorado, I was encouraged to write very innovative, experimental things, and some of the short stories in 'Bearded Ladies' are a little bit experimental.
For life is tendency, and the essence of a tendency is to develop in the form of a sheaf, creating, by its very growth, divergent directions among which its impetus is divided.
As we move forward, I am looking for a new leader of the Chicago Police Department to address the problems at the very heart of the policing profession. The problem is sometimes referred to as "the thin blue line." The problem is other times referred to as "the code of silence." It is this tendency to ignore. It is the tendency to deny. It is the tendency, in some cases, to cover up the bad actions of a colleague or colleagues.
It's hard to get a film, you know, you need a very special film to be able to get that experimental. But, I would love to see that happen. I would love the opportunity to be more experimental than I am.
That tendency of social thought to generalize, to describe a leading tendency in a society in such a way that it seems that everything falls within its iron laws, is very common. Of course our own experience tells us that life is not as monochrome as these thinkers depict it. On the other hand they are very valuable because they alert us to transformations we are likely to take for granted.
Ironically, my tastes aren't that experimental, and I wouldn't describe my music on the surface as being overtly experimental, either.
I ate ostrich. I'm not very proud of it. I was going through a very experimental period and probably during foot and mouth. It was exquisite, but I felt very guilty.
I really dislike it when people talk about "experimental," because any good writer is experimental.
I think I'm still trying to be experimental on everything I ever do, but it's not as obviously way-out and experimental as what we were.
Traditional songwriting, to us, is where the experimental nature comes in. We're all involved with so much outside activity with really hardcore, experimental music-making.
The very hope of experimental philosophy, its expectation of constructing the sciences into a true philosophy of nature, is basedon induction, or, if you please, the a priori presumption, that physical causation is universal; that the constitution of nature is written in its actual manifestations, and needs only to be deciphered by experimental and inductive research; that it is not a latent invisible writing, to be brought out by the magic of mental anticipation or metaphysical mediation.
I feel like the music I'm doing is very experimental and very radical.
There is a serious tendency towards capitalism among the well-to-do peasants. This tendency will become rampant if we in the slightest way neglect political work among the peasants during the co-operative movement and for a very long period after.
My study is NOT as a climatologist, but from a completely different perspective in which I am an expert … For decades, as a professional experimental test engineer, I have analyzed experimental data and watched others massage and present data. I became a cynic; My conclusion - 'if someone is aggressively selling a technical product who's merits are dependent on complex experimental data, he is likely lying'. That is true whether the product is an airplane or a Carbon Credit.
I think the Baby Boom does have a tendency to get its nose in everything. The Greatest Generation had a better tendency to leave people alone. Of course, they also had a better tendency to hate everybody's guts.
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