A Quote by Sebastian Thrun

I've developed my passion for cars that drive themselves from being stuck in traffic for many, many, many hours of my life. I don't know what it adds up to, but I feel like I've lost a year or two just in traffic. That's big to me. That's a lot of time, a lot of money that I just lose on the road.
I quite fancy having a hover car, but I don't fancy everyone having one. Because I feel like I spend quite a lot of time stuck in traffic on the 405 but if everybody had one then they'd be scared and we'd crash, but if it was just me, then I think I would zoom home quite fast. I also quite fancy a phone attached to my hand but then I don't know if I fancy it being stuck to my body.
Africa is one of my favorite places because there are so many things to do - either surfing or going to see the animals. You can drive two hours or six hours up the coast - or just 15 minutes up the road - and it's probably something you haven't seen before.
Lions and other carnivorous animals do a lot of things besides eat meat. They live outdoors, not in houses; they don't wear clothes or drive around in cars; they usually sleep for many hours after eating a meal. Why cite just one of the many things that they do and argue that we should imitate them? This doesn't make much sense.
In a lot of action films, a lot of guys are driving muscle cars or vintage cars, whereas in reality, a lot of getaway drivers would actually choose, like, commuter cars and find a way to blend into freeway traffic as quickly as possible.
Don't call me when you're stuck in traffic. It's not my fault that radio sucks and did it ever occur to you that there wouldn't be so much traffic if people like you put down the phone and concentrated on the road... besides I can't talk now, I'm in the car behind you trying to watch a DVD.
A car crossed two lanes of traffic, flipped, and landed on my dad's car. I don't blame cars. My dad loved cars. I don't have many memories of my dad. The love of cars is all I have of him, really.
I feel really comfortable when the camera is rolling. I feel less comfortable in the moments before and after, like, "Okay, where do I sit now?" I find the social aspect of being on a project ... it's just a lot. There are so many new people, and it's a lot of introducing the most charming, most engaging, funniest version of yourself to, essentially, a bunch of strangers you already know too many details about.
War is big business. It's a lot of money going to and fro, and unfortunately a lot of angst, and a lot of fear, and a lot of doubt. And eventually a lot of wonderful people, like soldiers, like men and women that are out there trying to do the best they can, they come back being wounded on many levels.
There are so many people, so many artists, so many magazines, so many theater companies, so many people trying to raise money for so many things that it's easy to look around and just feel powerless or helpless, because even if you have some resources, you can't help everybody.
Why do you need to drive a Ferrari to get stuck in a traffic jam anyway? How do people afford these cars?
How many a year has passed and gone and many gamble has been lost and won, and many a road taken by a friend and each one I've never seen again.
I have this theory that there are two kinds of people in the world, people who stop at a traffic accident and those that just drive by. If I see a traffic accident, I am going to stop. I do notice. I don't think that makes me a good or bad person, or anybody else better or worse.
You have so many players all around the world in the NBA, a lot of different generations. If you don't take basketball as a tool in your life, you can get lost. I know a lot of teammates, a lot of players that had a great career and after that career, they just get lost.
I just turned 40, and I look at so many performers and so many people who are actually always on time and always have an album out. They don't have actual lives, in my opinion. I feel like I'm so much more than being famous and meeting a musical quota. And I don't know, just the weight of the scrutiny and attention is too weird for me.
New Orleans is my kind of city. I think there's a lot going on, but it's also very calm. It's a place where I can actually drive a car without being stuck in traffic for for 40, 50 minutes. It's my kind of city. A lot going on but still calm.
If I put too many instruments on stage it will become crowded just like Bangalore traffic!
This site uses cookies to ensure you get the best experience. More info...
Got it!