A Quote by Lake Bell
Something that has always attracted me to even taking on the occupation of actor is the idea that I could be lucky enough to portray different characterizations from different places in the world, whether it's speaking another language or taking on a dialect and building a history from where they were born. I was very attracted to that concept, in becoming an actor.
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I'm not attracted to naturalism, I'm not attracted to behavior, I'm attracted to dance. I'm attracted to gesture, I'm attracted to singing with your voice, as opposed to having a natural manner. I'm a theater actor first, so that probably influences a lot of my approach. And I think in many ways, naturalism has ruined movies.
I don't really enjoy working in TV, to be completely honest, even though it's incredibly lucrative, I'm just terrified of not being satiated in a myriad of different ways. It's amazing that I get to create every day, as an actor, or a director, or a writer, and I get to do it in a variety of different genres and worlds and characterizations. I think that's the great privilege of what we do, we get to make believe. I get to go to so many different places, try on different occupations, take on different points of view. That's what's always been sort of alluring.
An actor is here to perform. For example, if a character is a Punjabi or a Bihari, and the actor is not, doesn't mean we have to cast an actor from that region. If an actor can perform, they can portray anyone because an actor is here to try different roles.
I was working in Chicago, in theater and in commercials and anything that anybody would let me do. When I moved to L.A., I had made a choice to be a character actor, meaning that I wanted to become somebody else. That's what attracted me to becoming an actor in the first place.
I've liked different women at different times in my life. I've been attracted to white women. I've been attracted to black women. I've been attracted to Asian women. I've been attracted to various subspecies of women. I can say with gratitude that I've been able to experiment.
You can say something that can really help and actor and you can say something that can really get in the way of an actor's performance, kind of cut them off from their instincts and really get into their heads. And every actor's different. Every actor requires something different. Being an actor, for me, was the greatest training to be a writer and director.
Every film's different; every story is so different. But I think I've always been attracted to try to take something minimal and to maximize it cinematically. To find out if I can I really go all the way with one idea.
My first dream was to travel. I was attracted to different places, different colors of skin, different food. When I was 18 in 1977, I went to Europe with my accordion and discovered the pleasure of entertaining people.
I'm living in a dream. I really consider myself really lucky. I was born and raised in Guatemala, in a village, where to go to the market you have to take two buses or drive about 20 minutes if you are lucky enough to have a car. I grew up very, very poor and I didn't even know that being an actor could be a career.
I have traveled to a lot of places, and you look at another young person who lives under very different circumstances than you but has the same dreams or the same interests or might be better at what I do than what I do. But I was born in a different place, and she was born in a different place. Just for that alone, you're kind of inherently given opportunity. That's something that I'm very grateful for, but I'm also very aware of.
I've always been attracted to characters that were interesting to me, and different.
I don't really look at the skillset of being an actor as different in each medium. It asks a different thing of you as an actor, but for me, I draw upon the same skillset. It's just a different tuning of your tools as to who you're doing it for, whether you're doing it for an intimate camera or an audience of 2,000 people.
I know how a Manipuri is different from a Mizo or someone from Shillong. It's culturally very different... the food is also very different, and so is the language and dialect.
I think anytime you can show different colors and portray something that you haven't had a chance to do is always really refreshing as an actor.
Curating, in the modern sense, is something I gravitate to. Taking different ideas from a bunch of different places and putting them into one place or space, a story that makes sense or a new idea. Everything is remixed and taken from other things to make something new.
Like the character I played in Jekyll, we all have different masks we put on for different occasions. As much as we all want to lead decent lives, we're also attracted by the idea that something dark may lurk within us.
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