A Quote by Sergio Aragones

Once you've established where you are, you go to the character and elaborate on expressions and action. — © Sergio Aragones
Once you've established where you are, you go to the character and elaborate on expressions and action.
But they need to worry and betray time with urgencies false and otherwise, purely anxious and whiny, their souls really won't be at peace unless they can latch to an established and proven worry and having once found it they assume facial expressions to fit and go with it, which is, you see, unhappiness, and all the time it all flies by them and they know it and that too worries them no end.
I've always been very strong minded on character-based fights and character-based action. If you take the character out of the action and you just shoot it as an action sequence, the audience starts to lose connection.
Action is only really compelling when it reveals character - character revealed through action, and not action for its own sake.
Once you have love as a motivator in a story, your character is free to do anything. Once you say the character is in love, he can do the craziest thing that nobody would do who's not in love. Once you're in love, you have that excuse to go and do whatever you want.
I think making a great action movie is one of the hardest cinematic endeavors. By definition, smart characters avoid action. Smart people don't go down dark alleys, but if you're making an action movie and you want to have an action sequence, somehow you have to get that character into that dangerous situation.
One can never really give a proof of the reality of anything; reality is not something open to proof, it is something established. It is established just because proof is not enough. It is this characteristic of language, at once indispensable and inadequate, which shows the reality of the external world. Most people hardly ever realize this, because it is rare that the very same man thinks and puts his thought into action.
People often believe that character causes action, but when it comes to producing moral children, we need to remember that action also shapes character.
'Alias' was very action-packed. 'G.I. Joe' and 'Conan' were very action-packed. It's been established that I can do action, which is great, but now I may just want to make out with a really hot guy.
I like putting common expressions next to uncommon expressions. I'm sure in Poetry 101 there is a name for it, but it seems like you usually go one way or the other in rock music.
Reason ... contradicts the established order of men and things on behalf of existing societal forces that reveal the irrational character of this order for "rational" is a mode of thought and action which is geared to reduce ignorance, destruction, brutality, and oppression.
The centre of the tragedy, therefore, may be said with equal truth to lie in action issuing from character, or in character issuing in action.
It was not that long ago when the accepted wisdom in football was that the running game had to be established - that was always the obligatory verb: established - before passes could become effective. My, we know how that has changed. Now the pass is established from the get-go, and running is an afterthought.
What you can do with visual effects is enhance the look of the character, but the actual integrity of the emotional performance and the way the character's facial expressions work, that is what is going to be created on the day with other actors and the director.
Euphonic and harmonious expressions, forcible and just expressions, profound and comprehensive expressions, and especially apt and witty expressions, each have their specific influence upon different minds, and their common influence upon all minds.... It is therefore high time our most valuable aphorisms and paragraphs were put in order for frequent perusal, and for handy reference, as the circumstances of life call up subjects.
Freedom was born in Greece because there men limited their own freedom. ... The limits to action established by law were a mere nothing compared to the limits established by a man's free choice.
Since I am first of all a character writer, that character's emotions are as vivid to me as my own. I always begin with an emotion after I have established a character in my mind. I feel what they feel. I guess that is why it comes across so strongly.
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