A Quote by Seth Shostak
The Moon stabilizes Earth's obliquity. Well, almost. The tilt actually varies between 22 and 24.5 degrees - and the variation is enough to induce such environmental inconveniences as the occasional ice age. Without the Moon, it might be much worse.
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What would happen if the moon were not there? Then our tilt could swing wildly over a large range, resulting in major temperature swings. If our tilt were more like ninety degrees, the north pole would be exposed to the sun for six months, while the south pole would be in darkness, then vice-versa. Instead, it varies by only about one and a half degrees - just a tiny variation, because the gravity from the moon's orbit keeps it stabilized.
What was supposed to be so special about a full moon? It was only a big circle of light. And the dark of the moon was only darkness. But halfway between the two, when the moon was between the worlds of light and dark, when even the moon lived on the edge...maybe then a witch could believe in the moon.
There was just one moon. That familiar, yellow, solitary moon. The same moon that silently floated over fields of pampas grass, the moon that rose--a gleaming, round saucer--over the calm surface of lakes, that tranquilly beamed down on the rooftops of fast-asleep houses. The same moon that brought the high tide to shore, that softly shone on the fur of animals and enveloped and protected travelers at night. The moon that, as a crescent, shaved slivers from the soul--or, as a new moon, silently bathed the earth in its own loneliness. THAT moon.
When the moon is ninety degrees away from the sun it sees but half the earth illuminated (the western half). For the other (the eastern half) is enveloped in night. Hence the moon itself is illuminated less brightly from the earth, and as a result its secondary light appears fainter to us.
The moon is whole all the time, but we can’t always see it. What we see is an almost moon or not-quite moon. The rest is hiding just out of view, but there’s only one moon, so we follow it in the sky. We plan our lives based on its rhythms and tides.
The common thread between 'Moon Shoes' and 'Midnight Moonlight' would definitely be their connection to the moon. However, I feel they both capture a very different quality of the moon. Perhaps 'Moon Shoes' epitomizes the moon during the summer, while 'Midnight Moonlight' the winter.
How much more beautiful is the moon, Slanting down the gauffered branches of a plum-tree; The moon Wavering across a bed of tulips; The moon, Still, Upon your face. You shine, Beloved, You and the moon. But which is the reflection?
If the moon and earth were not retained in their orbits by their animal force or some other equivalent, the earth would mount to the moon by a fifty-fourth part of their distance, and the moon fall towards the earth through the other fifty-three parts, and they would there meet, assuming, however, that the substance of both is of the same density.
Variation does not mean evolution. If an artist varies his mode of expression this only means that he has changed his manner of thinking, and in changing, it might be for the better or it might be for the worse.
The idea for 'Midnight Moonlight' was mostly inspired by the moon herself. Advancing from my previous EP 'Moon Shoes,' I felt it necessary to dig a little deeper into who I am and the relationship between my music and the moon.
From the distance of the moon, Earth was four times the size of a full moon seen from Earth. It was a brilliant jewel in the black velvet sky.
There is still some gravity where we are and even as far out as our moon. That is why our moon stays in orbit around the Earth. We don't feel the gravity up here because it is so much smaller than the force we feel when we are on the Earth.
If somebody'd said before the flight, 'Are you going to get carried away looking at the Earth from the Moon?' I would have say, 'No, no way.' But yet when I first looked back at the Earth, standing on the Moon, I cried.
The Moon is a white strange world, great, white, soft-seeming globe in the night sky, and what she actually communicates to me across space I shall never fully know. But the Moon that pulls the tides, and the Moon that controls the menstrual periods of women, and the Moon that touches the lunatics, she is not the mere dead lump of the astronomist. . . . When we describe the Moon as dead, we are describing the deadness in ourselves. When we find space so hideously void, we are describing our own unbearable emptiness.
The moon had been observing the earth close-up longer than anyone. It must have witnessed all of the phenomena occurring - and all of the acts carried out - on this earth. But the moon remained silent; it told no stories.
I'd like to go to another planet, which I might live long enough to accomplish. Just get on a spaceship and go. But not the moon. I don't see any flowers there. The moon is too close. I want to go further.
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