A Quote by Sevyn Streeter
I wanna be able to stand on the stage and hold out the mic and people sing all the lyrics to my song.
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I was about to walk on stage at the Kansas Speedway - I was playing a NASCAR race - and I said to Scooter Carusoe, who was standing side stage, 'I want to write a song called 'Wanna Be That Song.' Then I put my earphones back in and walked right out on stage.
There's been a time where I was like, I wanna be a folk singer; no, I wanna sing soul. I want to sing classical music. I want to sing R&B. I want to be on Broadway. I just wanna sing. Whatever comes out of my mouth, that's what I want to do.
I'm so bad at lyrics. I'm always trying to get better. Sometimes, the song can restrict your lyrics - if you're trying to make a poppy song, you don't want to sing something that sounds like it could be on an At the Drive-In song.
I was new to acting on a stage in a narrative as opposed to acting on a stage as a stand-up. And like everything else it's just like comfort level. The first time I did stand-up I was at a place called the B3 in New York on Third and Avenue B and I not only didn't take the mic out of the stand, but I clutched the stand of the entire time.
I always believed a singer should be able to sing any kind of song. If I wanted to sing a Cole Porter song, I should be able to do that. Or 'Sherry,' I should be able to do that. Or a Dylan song.
I always believed a singer should be able to sing any kind of song. If I wanted to sing a Cole Porter song, I should be able to do that. Or Sherry, I should be able to do that. Or a Dylan song.
Sometimes I start with lyrics - rarely - but sometimes I might have an idea for some lyrics that I wanna say. I write them down and figure out how to use that in a melody to write a song.
Whenever I sing 'Total Eclipse of the Heart,' the way people sing along with me still excites me. It's one of the songs that audiences know all the lyrics to, and they sing along with me, and it makes me so happy. People also know my songs 'Holding out for a Hero' and 'Lost in France,' and this gives me so much joy on stage.
It's great when you can write a meaningful song that touches people, but sometimes you just wanna have fun and sing a silly song that doesn't reflect on you as a person.
Some nights I'm funny with the between-song commentary, some nights I'm not. I have no control over this. I pace the stage a lot and struggle with the mic stand in a ridiculous way.
You know the reason The Beatles made it so big?...'I Wanna Hold Your Hand.' First single....brilliant. Perhaps the most...brilliant song ever written. Because they nailed it. That's what everyone wants. Not 24/7 hot wet sex. Not a marriage that lasts a hundred years. Not a Porsche...or a million-dollar crib. No. They wanna hold your hand. They have such a feeling that they can't hide. Every single successful song of the past fifty years can be traced back to 'I Wanna Hold Your Hand.' And every single successful love story has those unbearable and unbearably exciting moments of hand-holding.
The song of the blues, the song of the music, was something a lot of people missed out on. They thought they had to swagger a certain way or bark at the mic, and you don't have to do that.
I think it's important to be able to write stuff that's personal to you and stuff that you'll really be able to understand what you're singing about and be able to truly sing it. Because if you're singing a song that someone's written for you and you really can't relate to it, it's hard to sing that song.
maybe memories are like karaoke-where you realize up on the stage, with all those lyrics scrawling across the screen's bottom, and with everybody clapping at you, that you didn't know even half the lyrics to your all-time favourite song. Only afterwards, when someone else is up on stage humiliating themselves amid the clapping and laughing, do you realize that what you liiked most about your favourite song was precisely your ignorance of its full meaning- and you read more into it than maybe existed in the first place. I think it's better to not know the lyrics to your life.
When people hear sing-songy melodies, they think the lyrics will be nice, too. I guess there's a depressing or psychotic side to my personality that pops out in the lyrics.
I really - I just wanna sing. And I wanna show people that I can sing.
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