A Quote by Shakin' Stevens
I couldn't go on an '80s package show or anything like that. I have a lot more to give. If you go down that road completely I think you'll stay with a certain type of audience. Again I'm not knocking it. People go for the fun of the hits, it's what they've grown up with.
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Everyone goes down a road that they're not supposed to go down. You can do two things from it. You can keep going down that road and go to a dark place. Or you can turn and go up the hill and go to the top - try to go to the top.
I don't really have one type favorite type of candy. When I was younger we used to always go to the rich neighborhoods where they give out the big candy bars, not the little fun-sized ones. We'd go back two and three times, hit them again and again. They didn't care and we loved it.
When you have a lot of hits and your career starts to go down, but then your music starts to slowly go up again.
Don’t always want to go up. Go down, like water, because eventually it’ll go up again. Just like rain, it falls from the sky, flows as a river, then merges with the sea, the goes up again as a cloud.
.. I get more of a dreamy thing from the audience - it's more of a thing that you go up into. You get into such a pitch sometimes that you go up into another thing. You don't forget about the audience, but you forget about all the paranoia, that thing where you're saying, 'Oh gosh, I'm on stage - what am I going to do now ?' - Then you go into this other thing, and it turns out to be like almost like a play in certain ways
To gain credibility, you must consistently demonstrate three things: Initiative: You have to get up to go up. Sacrifice: You have to give up to go up. Maturity: You have to grow up to go up. If you show the way, people will want to follow you. The higher you go, the greater the number of people who will be willing to travel with you.
A lot of female comedians will go up there in a sweatshirt and Converses, trying to dress themselves down, because it is sort of a boy's club. I'll go up in my heels. I like that people don't think I'll be funny. I'll take that on. I don't do standup comedy - I do standup and I do comedy, but I don't go up there and do jokes.
You want to know the truth about drugs? You can only go one or two ways. You can go up, or you can go down. That's it. After a certain point, though, no matter what you do, what you take, you don't go anywhere, and that's when you've got to sit down and face yourself.
The point is, not to resist the flow. You go up when you're supposed to go up and down when you're supposed to go down. When you're supposed to go up, find the highest tower and climb to the top. When you're supposed to go down, find the deepest well and go down to the bottom. When there's no flow, stay still. If you resist the flow, everything dries up. If everything dries up, the world is darkness.
Speakers find joy in public speaking when they realize that a speech is all about the audience, not the speaker. Most speakers are so caught up in their own concerns and so driven to cover certain points or get a certain message across that they can't be bothered to think in more than a perfunctory way about the audience. And the irony is, of course, that there is no hope of getting your message across if that's all the energy you put into the audience. So let go, and give the moment to the audience.
When I look at the directors that I really love, who really develop their films over time, they're almost always the ones who go back again and again and again at the same investigations. I think that when somebody has a theme they go after, it's fun to service that. It's like, "I know you now. I know what you go at." It helps you locate yourself a little bit quicker in their world.
I'm not afraid to go completely over the top. A lot of people are scared to seem silly or to embarrass themselves, and I really don't have that at all - I don't mind making a fool of myself. I like to just have fun and really go for it.
In the evening I go up in the desert and spend hours watching the sun go down, just enjoying it, and every day I go out and watch it again. I draw some and there is a little painting and so the days go by.
When you start writing, you have your characters on a metaphorical paved road, and as they go down it, all these other roads become available that they can go down. And a lot of writers have roadblocks in front of those roads: they won’t allow their characters to go down those roads... I’ve never put any roadblocks on any of these paths. My characters can go wherever they would naturally go, and I’ll follow them.
I was so intimidated by the thought of improvising back in the '80s when I was in Chicago. I think the opportunity only even came up once that I can recall, and I turned down the offer. It was to go improvise in some club in the suburbs or something. Good God, I couldn't think of anything more frightening than to get up there without a plan.
How do you like to go up in a swing,
Up in the air so blue?
Oh, I do think it the pleasantest thing
Ever a child can do!
Up in the air and over the wall,
Till I can see so wide,
River and trees and cattle and all
Over the countryside.
Till I look down on the garden green,
Down on the roof so brown-
Up in the air I go flying again,
Up in the air and down!
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