A Quote by Shana Alexander

'60 Minutes' was a disaster for me because it made everybody think that I was the house liberal of CBS, which is the part that I was playing. It was fun for a while. — © Shana Alexander
'60 Minutes' was a disaster for me because it made everybody think that I was the house liberal of CBS, which is the part that I was playing. It was fun for a while.
I was working for a Swedish TV show - I'm Swedish - who basically did kind of spectacular stories. It was almost like CBS '60 Minutes,' but a Swedish version where we actually did travel quite a lot. After a while, I realized that travel is the most fun part of this, so why not do it for a longer time and just go off and explore?
After more than 50 years of broadcasting on 'CBS News' and '60 Minutes,' I have decided to retire. It's been a wonderful run, but the time has come to say goodbye to all of my friends at CBS and the dozens of people who kept me on the air.
Covering Richard Nixon's triumphant run in 1968 turned out to be my last major assignment as a general correspondent for CBS News. In September of that year, '60 Minutes' made its debut and I began the best, the most fulfilling job a reporter could imagine.
When I was on 'Doubt' on CBS, there was a 60-second scene, but in that 60 seconds, people were so affected because it was trans women in a very normalized situation.
At first, when my agent told me, 'They want you to do an interview, a piece for '60 Minutes,' I was like, 'What is '60 Minutes?''
Because [Russel Westbrook] is so rare and impacts the game in so many different ways, you see the usage and the amount of time he's playing and say, 'is this sustainable?' I look at it the other way. Are we playing the right way, are we playing together as a team, and what are his minutes like? This is not a guy that's playing 42 minutes a night. When he goes out there he's going to play to who he is, and I think he also understands that in order for our team to be the best we can be he's got to incorporate and help everybody grow as players.
I think the press, by and large, is what we call "liberal". But of course what we call "liberal" means well to the right. "Liberal" means the "guardians of the gates". So the New York Times is "liberal" by, what's called, the standards of political discourse, New York Times is liberal, CBS is liberal. I don't disagree. I think they're moderately critical at the fringes. They're not totally subordinate to power, but they are very strict in how far you can go. And in fact, their liberalism serves an extremely important function in supporting power.
I came over when I was 10 years old, which was very difficult because everybody made fun of me.
I think the most fun part about working on 'Good Luck Charlie' is spending time with everyone, honestly, because everybody on set is like my brother and sister and mom and dad. They're so fun to be around, so that's probably the best part about working there.
It's fun to watch and fun to be a part of and I think that's what it's all about. You have to have fun playing basketball.
I'd worked at the White House for two years, and I'd read a bunch of White House memoirs because everybody who works at the White House, even for five minutes, writes a memoir usually not less than 600 pages long - and never without the word 'power' in the title.
When I came to CBS it was the mother church. I mean that was - everybody wanted to go to work for CBS News.
Basketball is a game and their primary reason for participating in the sport is simply for the pleasure they experience while playing. Don't be afraid to lose. Have fun while you're busy playing hard and playing smart.
I really tried out for the part of Harry Potter, but they ended up picking me for the part of the enemy of Harry. Actually it is really fun playing the bad kid because it just has so many interesting qualities to it. And Daniel Radcliffe and I get along really well off set so it's really fun filming.
In the mornings, I try to spend anywhere from 15 to 60 minutes with my son. Failing that, I try for 30 to 60 minutes together at the end of the day. I try to make that work, but if I can't, I just move on. You can't beat yourself up about it.
I'm always a little leery about doing shows where I'm not the headliner because when I first started playing in 1982 I opened for Missing Persons and got pelted for 45 minutes. After that, I made the decision to headline no matter what, even if I was playing to seven people. I wanted people to be there to see me.
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