A Quote by Shangela

It's always been my dream, it's always been my vision to work as an actor in Hollywood, in drag and out of drag. — © Shangela
It's always been my dream, it's always been my vision to work as an actor in Hollywood, in drag and out of drag.
I always did what I thought was interesting. I always just did what caught my fantasy. Looking like a woman, that was never the criteria for me. It was always to do drag. And drag is not gender-specific. Drag is just drag. It's exaggeration.
It's always been that I feel more masculine in drag than I do out of it. I only get called 'ma'am' out of drag and I only get called 'sir' in drag.
Obviously drag has different intentions and my drag has always been about gender illusion.
The way I've always looked at drag has been a little bit different maybe than other people because the drag community that I started doing drag in is full of trans people and women and people of various educational backgrounds, of different ages.
I do drag. Just because my drag is not the drag of Creme Fatale or Holy McGrail doesn't mean it's less drag. I perform live; I just sing with dancers. It's drag on a different level.
We love trans women; all of us know that drag wouldn't be an art form without trans women. I know that, RuPaul knows that, everybody in the gay community knows that. Trans women have always been a part of and the face of drag. And I can guarantee trans women will always be a part of 'RuPaul's Drag Race.'
The inspiration of my drag is the history of drag, the long tradition of drag queens being at the forefront of queer activism. That informs my drag style, and in a sense, that is the direction we need to go in the future.
My dream was always to come to Los Angeles and make it as an actor. I kind of just fell into drag.
'Drag Race' doesn't claim to represent drag as a whole. 'Drag Race' is a reality show. If you see real drag shows, we just do drag and respect each other's art and who your real identity is - name, gender, hair color, anything.
People pull from drag culture because drag artists are - it's the ultimate art form and it's the last underdog art form. I mean, even clowns have college, you know what I mean? Drag queens, you have to learn drag from another drag queen.
I want to do something that is not just a pastiche of drag that's come before but is really authentically me. I try to tune out all the drag that's out there and tap into the drag that I was doing when I was a little kid - when I didn't even know the word 'queer' or that gay people were out there.
I've always been a rule-breaker and a rebel. For me, drag has always been about rebellion, but also escapism. I think being able to creatively direct your own world is super powerful - and it's beautiful.
A lot of the touring stuff has become a drag. Traveling itself is a drag. Anyone who's been to an airport knows that.
Anybody who has been following me right from the get-go, even prior to being on 'Drag Race,' has known that my platform has always been about spreading love and spreading light and celebrating identity. It's always been very positive because I feel like we need that.
The hour on stage is rarely a drag. In fact, I can't really say that its ever a drag. The few times that its been challenging has been when you don't have a sympathetic audience or there is the occasional strange corporate gig or something that you take or that you're not sure and you're like, "Wait a second. That's just the wrong venue".
I hope that people look at Brooklyn as kind of a drag utopia, because that's what it's been in my experience - all genders and bodies and ages doing drag.
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