A Quote by Sharon Olds
This creature of the poem may assemble itself into a being with its own centrifugal force.
Related Quotes
The subject of the poem usually dictates the rhythm or the rhyme and its form. Sometimes, when you finish the poem and you think the poem is finished, the poem says, "You're not finished with me yet," and you have to go back and revise, and you may have another poem altogether. It has its own life to live.
Readers bring their own experiences, their own range of - their own wisdom, their own knowledge, their own insights to poem and the meaning of a poem takes place in the negotiation between the poet, the poem and the reader.
The fact that mankind persists shows that the cohesive force is greater than the disruptive force, centripetal force greater than centrifugal.
Love is alone sufficient by itself, it pleases by itself and for it's own sake. It is itself a merit, and itself it's own recompense. It seeks neither cause, nor consequences beyond itself. It is its own fruit, its own object and usefulness. I love because I love you, I love that I may love.
You make the world come alive. You make the world colorful. You are the inspiration behind all that happens. You are the pillar of strength to many around you, the centrifugal force of your own little world, called family. I love being a women and celebrate being one everyday, hope you all do too!! And to all those who battle their various circumstances, the hurdles, the sacrifices and the compromises they make, wish them all inner strength! Happy Women's Day!
The proper good of a creature is to surrender itself to its Creator—to enact intellectually, volitionally, and emotionally, that relationship which is given in the mere fact of its being a creature. When it does so, it is good and happy.
I believe that the sum total of the energy of mankind is not to bring us down but to lift us up, and that is the result of the definite, if unconscious, working of the law of love. The fact that mankind persists shows that the cohesive force is greater than the disruptive force, centripetal force greater than centrifugal.
Like a pianist runs her fingers over the keys, I'll search my mind for what to say. Now, the poem may want you to write it. And then sometimes you see a situation and think, 'I'd like to write about that.' Those are two different ways of being approached by a poem, or approaching a poem.
The statement of ideas in a poem may have to do with logic. More profoundly, it may be identified with the emotional progression of the poem, in terms of the music and images, so that the poem is alive throughout. Another, more fundamental statement in poetry, is made through the images themselves those declarations, evocative, exact, and musical, which move through time and are the actions of a poem.
The conservative may clamor against reform, but he might as well clamor against the centrifugal force. He sighs for the "good old times,"--he might as well wish the oak back into the acorn.
People think that politics just somehow magically organizes itself. It doesn't work that way. You need to assemble these huge coalitions of 535 politicians on Capitol Hill, and tens of thousands of interest groups, and tens of millions of voters, and assemble all those in government to get stuff done.
Evil itself may be relentless. I will grant you that, but love is relentless too. Friendship is a relentless force. Family is a relentless force. Faith is relentless force. The human spirit is relentless, and the human heart outlasts - and can defeat - even the most relentless force of all, which is time.
A poem may be worked over once it is in being, but may not be worried into being.
The libertarian approach is a very symmetrical one: the non-aggression principle does not rule out force, but only the initiation of force. In other words, you are permitted to use force only in response to some else's use of force. If they do not use force you may not use force yourself. There is a symmetry here: force for force, but no force if no force was used.
Power exhibits itself under two distinct forms,--strength and force,--each possessing peculiar qualities, and each perfect in its own sphere. Strength is typified by the oak, the rock, the mountain. Force embodies itself in the cataract, the tempest, and the thunder-bolt.
Lucky accidents seldom happen to writers who don't work. You will find that you may rewrite and rewrite a poem and it never seems quite right. Then a much better poem may come rather fast and you wonder why you bothered with all that work on the earlier poem. Actually, the hard work you do on one poem is put in on all poems. The hard work on the first poem is responsible for the sudden ease of the second. If you just sit around waiting for the easy ones, nothing will come. Get to work.
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